103 knowledge , along with that of Minerva , is said to have brought a civilized , rational existence to savage , uncultivated peoples . Christine further associated the pair of miniatures of Ceres and Isis with the theme of wise women ...
R. Barton Palmer . New York : Garland , 1992 . Le Livre dou Voir Dit ( The Book of the True Poem ) . Trans . R. Barton Palmer . Ed . Daniel Leech - Wilkinson . New York : Garland , 1998 . Mariken van Nieumeghen : A Bilingual Edition .
Christine de Pizan's "Epistre Othéa": Painting and Politics at the Court of Charles VI
varying modes of translation: Scrope's translation almost slavishly follows his source, but the Bibell offers unique responses to Christine's work, particularly her views of women and exemplarity. Another related goal is to reconsider ...
See Christine de Pisan. Ditié de Jehanne d'Arc, ed. and trans. Angus J. Kennedy and Kenneth Varty, Medium Aevum Monographs, 9 (Oxford: Society for Mediaeval Languages and Literatures, 1977). An English translation appears in ...
Othea's Letter to Hector, one of Christine de Pizan's most popular works, is at the same time one of her most complex creations.
Christine de Pizan (1364-?1430) was the first French woman poet to make her living by the pen, and the first female interpreter of classical myths; she held enormous power in the French court and influenced late medieval culture in France ...
When Christine completed subsequent manuscripts of Othea ( from 1408 to 1415 , according to Hindman , Christine ) , Louis d'Orléans had been assassinated and the conflict between Burgundians and Armagnacs intensified into civil war .
27 See Malcolm B. Parkes . The litcracy of the laity : in David Daiches and Anthony Thorlby ; cds . , Literature and Ilestern Cilisation , 6 vols . , The Vledicral Torld , vol . 2 ( London : Aldus Books , 1973 ) , 555 78 ; Eileen Power ...
Christine de Pizan (ca. 1364-ca. 1431) has long been recognized as France's first professional woman of letters, and interest in her voluminous and wide-ranging corpus has been steadily rising for decades.
The essays in this volume present new work that, in one way or another, "queers" stabilized conceptions of the Middle Ages, allowing us to see the period and its systems of sexuality in radically different, off-center, and revealing ways.