Since first contact, Natives and newcomers have been involved in an increasingly complex struggle over power and identity. Modern “Indian wars” are fought over land and treaty rights, artistic appropriation, and academic analysis, while Native communities struggle among themselves over membership, money, and cultural meaning. In cultural and political arenas across North America, Natives enact and newcomers protest issues of traditionalism, sovereignty, and self-determination. In these struggles over domination and resistance, over different ideologies and Indian identities, neither Natives nor other North Americans recognize the significance of being rooted together in history and culture, or how representations of “Indianness” set them in opposition to each other.
In Indian Country: Essays on Contemporary Native Culture, Gail Guthrie Valaskakis uses a cultural studies approach to offer a unique perspective on Native political struggle and cultural conflict in both Canada and the United States. She reflects on treaty rights and traditionalism, media warriors, Indian princesses, powwow, museums, art, and nationhood. According to Valaskakis, Native and non-Native people construct both who they are and their relations with each other in narratives that circulate through art, anthropological method, cultural appropriation, and Native reappropriation. For Native peoples and Others, untangling the past—personal, political, and cultural—can help to make sense of current struggles over power and identity that define the Native experience today.
Grounded in theory and threaded with Native voices and evocative descriptions of “Indian” experience (including the author’s), the essays interweave historical and political process, personal narrative, and cultural critique. This book is an important contribution to Native studies that will appeal to anyone interested in First Nations’ experience and popular culture.
This leads us to consider another popular television format , the talk show , which over the past twenty - five years has gone from " talking heads " to an audience - participation mode established by Phil Donahue and then developed in ...
切爾藍( )、周馬修( )、尼克.迪瓦德( )、萊恩.迪克( )、艾莉謝謝所有讓這本書成真的人。有些人讀了草稿,有些人分享工作中的高低起伏,也有些人在我陷入瓶頸的時候給了我一個微笑。謝謝瑪莉娜.阿嘉帕奇斯( )、卡曼.艾肯( )、維凡克.艾許克( )、麥特.
美国总统特朗普是个大势利眼,喜欢夸耀自己钱多和娶俗气的女人。 弗吉尼亚·伍尔夫在《我是势利眼吗》一文中承认了自己的势利倾向,她与牛津大学政治哲学家以赛亚·伯林晤面 ...
With Ginger Rogers , Adolphe Menjou , George Montgomery , Lynne Overman , Nigel Bruce , Phil Silvers , Sara Allgood , William Frawley , Spring Byington , Helene Reynolds , George Chandler , George Lessey , Iris Adrian , and Milton ...
The great breakthrough was the signing of Red Grange , the greatest halfback of the era , to a contract with the Chicago Bears . Grange quit the University of Illinois after their season ended and immediately played for the Bears in ...
Criticizes Pat Buchanan, Pat Robertson, Jessie Helms, and Ronald Reagan, political correctness, academic obsessions with theory, the art world, American infrastructure, and other targets
for Palmer , she learns from his sadistic " lessons in manliness " ( II , 143 ) to harden her will and suppress the feminine longing for protection . The narrative moves quickly to Susan's success in overcoming her exploiter .
Edward Hudlin maintains that the book follows very closely the structure of the heroic myth as outlined by Joseph Campbell ... Carol Pearson and Katherine Pope look at Dorothy's adventures from a mythological and feminist perspective.19 ...
Nevertheless , a handful of women did attain unusual heights , including Helen Woodward , a copywriter and executive who admitted , in 1926 , that " to be a really good copywriter requires a passion for converting the other fellow ...
Richard Vinen pursues the story into the 1970s to show both the ever more violent forms of radicalization that arose from 1968 and the brutal reactions from those in power that brought the era to an end.