From 18-26 September 1996, the Department of History of the University of Regina hosted a colloquium entitled, Symbols, Myths and Images of the French Revolution, in honour of James A. Leith (Queen's University), a leading historian of revolutionary France for over three decades who began his teaching career in Saskatchewan. The colloquium brought together an international panel of scholars to discuss the visual imagery, propaganda, and cultural dimensions of the French Revolution--a subject which, since Professor Leith began his career, has come to occupy an ever larger place in revolutionary historiography.
Genrebilder aus Paris im Sommer 1844. Leipzig : Hirschfeld , 1845 . Funck - Brentano , Frantz . “ Documents sur la Bastille . ” Revue rétrospective n.s. ( 1 July 1889 ) : 28-48 . “ La Bastille d'après ses archives .
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
81: 'Ce Pitt, disait Mirabeau mourant, estle ministre des préparatifs.' Distaff Seigneurs: aristocrats and landowners accused of ... Où? Dans des souterrains de l'hôtel de la guerre.' 'religious costumes and such caricatures' be ...
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This book is an excellent access point for students, researchers, and anyone wanting to know more about this period.
12 victor hugo's writings were favoured by stalin, were popularised by proletkult, and had been popular in ... 14 Margaret Ziolkowski, Literary Exorcisms of Stalinism: Russian Writers and the Soviet Past (columbia, sc.
Covered in this encyclopedia are the people, events, and ideas that shaped the transformative political ideologies arising from the American and French Revolutions of the late eighteenth century.
Boyer, A. D. (2003). Sir Edward Coke and the Elizabethan Age. Stanford, CA: Stanford University Press. Bracton, Henry of. (1922). On the laws and customs of England (Facsimilared. from De Legibus et Consuetudinibus Angliae).
A comparative study of the French Revolution's most famous artist and a little-known illustrator.
This book is both an analysis of the Bastille as cultural paradigm and a case study on the history of French political culture.