Harlem symbolized the urbanization of black America in the 1920s and 1930s. Home to the largest concentration of African Americans who settled outside the South, it spawned the literary and artistic movement known as the Harlem Renaissance. Its writers were in the vanguard of an attempt to come to terms with black urbanization. They lived it and wrote about it.
First published in 1988, Black Culture and the Harlem Renaissance examines the relationship between the community and its literature. Author Cary Wintz analyzes the movement's emergence within the framework of the black social and intellectual history of early twentieth-century America. He begins with Booker T. Washington, W. E. B. Du Bois, and others whose work broke barriers for the Renaissance writers to come.
With an emphasis on social issues--like writers and politics, the role of black women, and the interplay between black writers and the white community--Wintz traces the rise and fall of the movement. Of special interest is material from the Knopf Collection and the papers of several Renaissance figures acquired by the Harry Ransom Humanities Research Center at the University of Texas at Austin. It reveals much of interest about the relationship between the publishing world, its writers, and their patrons--both black and white.
Through striking images and fascinating details, this book examines the origins of the Harlem Renaissance, especially the key roles played by W.E.B. Du Bois and other prominent figures such as Langston Hughes, Louis Armstrong, and Josephine ...
Through striking images and fascinating details, this book examines the origins of the Harlem Renaissance, especially the key roles played by W.E.B. Du Bois and other prominent figures such as Langston Hughes, Louis Armstrong, and Josephine ...
The Harlem Renaissance was an exciting period in American history, and readers are placed in the middle of this vibrant African American cultural movement through engaging main text, annotated quotations from historical figures and scholars ...
In this essay I want to outline the socioeconomic forces that led to the Harlem Renaissance and describe the period as such along with its development throughout time.
Harlem, I grant you, isn't typical — but it is significant, it is prophetic' The Harlem of literature and the Harlem ... or structural delimitations upon individual choices such as those finally depicted in Richard Wright's Native Son, ...
Musically speaking , the Jook is the most important place in America . For in its smelly , shoddy confines has been born the secular music known as blues , and on blues has been founded jazz . The singing and playing in the true Negro ...
By the time of his death in 1964, Carl Van Vechten had been a far-sighted journalist, a best-selling novelist, a consummate host, an exhaustive archivist, a prescient photographer, and a Negrophile bar non.
Harlem Renaissance in the West: The New Negro's Western Experience will change the way students and scholars of the Harlem Renaissance view the efforts of artists, musicians, playwrights, club owners, and various other players in African ...
The New Negro: An Interpretation
Some settled in New York City's Harlem neighborhood. Black artists, writers, and musicians in Harlem ushered in a cultural revolution called the Harlem Renaissance. The Harlem Renaissanceexplores this movement and its legacy.