During the late 1960s and 70s, a paradigm shift occurred within visual culture: photography and the moving image were absorbed into critical art practices. In particular, these mediums were used to record ephemeral or performative events and to render visible conceptual systems or to question the supposed objectivity of representation itself. This volume focuses primarily on artworks from the last decade and proposes that the extensive use of reproducible mediums in today's art has its roots in an earlier formative period. By the end of the 70s, many artists turned to photography as a vehicle through which to critique photographic representation and to subvert an art system premised on the notion of the original. While this practice came to define much of the 80s postmodern art, its legacy for the 90s was essentially the license to indulge in photographic fantasy, image construction, and cinematic narrative. Artists working today freely manipulate their representations of the empirical world or invent entirely new cosmologies. They process their subject matter through conceptual systems or use digital processes to alter their images. Some directly intervene in the environment, subtly shifting components of the found world and establishing their quiet presence in it; others fabricate entire architectural environments for the camera lens. This current state of the arts and its recent history are represented via more than 150 works by 55 artists, including Nam June Paik, Kara Walker, Felix Gonzalez-Torres, Marina Abramovic, Vito Acconci, Ana Mendieta, Bruce Nauman, Robert Smithson, Christian Boltanski, Sophie Calle, Fischli & Weiss, Ann Hamilton, Robert Mapplethorpe, Annette Messager, Cindy Sherman, Bernd and Hilla Becher, Elger Esser, Andreas Gursky, Candida H fer, Thomas Ruff, J rge Sasse, Thomas Struth, Olafur Eliasson, Roni Horn, Gabriel Orozco, Hiroshi Sugimoto, Matthew Barney, Gregory Crewdson, Anna Gaskell, Sam Taylor-Wood, Oliver Boberg, James Casebere, Thomas Demand, Vanessa Beecroft, Wolfgang Tillmans, Patty Chang, Trisha Donnelly, Stan Douglas, Pierre Huyghe, William Kentridge, Steve McQueen, Shirin Neshat, John Pilson and Gillian Wearing.
And they're definitely not ready for their close-up! The Discworld novels can be read in any order but Moving Pictures is a standalone. Discworld's pesky alchemists are up to their old tricks again.
Dresden , Neue Meister Gemäldegalerie . Marburg / Art Resource . 11.3 Still from Jesus Christ Superstar , 1973 . ... Marburg / Art Resource . 11.11 Still from Modern Times , 1936 . 11.12 C. 468 Sources for Illustrations.
This ebook features an illustrated biography of Budd Schulberg including rare images and never-before-seen documents from the author’s estate.
By moving an acetate screen over the illustrations, the images which include a volcano and a sawmill appear to move and come to life.
The star of "Goodbye, Columbus" and "Love Story" describes her New England childhood, her modeling career in New York, her marriage to film executive Robert Evans, her film successes and failures, and her passionate affair and subsequent ...
Jenefer Robinson articulates the complexity that the analysis of music and emotions can produce: the sighing figure is heard as a sigh of misery (a vocal expression), a syncopated rhythm is heard as an agitated heart (autonomic ...
Published in conjunction with a 2005-2007 exhibition organized by the Williams College Museum of Art, this volume addresses the rich topic of comparisons across theater, film, and the visual arts during the late 19th century and the ...
This book draws from Cummings's personal archive and includes performance ephemera and numerous images from digitized recordings of Cummings's performances and dance films; newly commissioned essays by Samada Aranke, Thomas F. DeFrantz, and ...
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Steiner was an accomplished composer at the time he was asked by Cooper to score the music for King Kong, but he had never taken on a project of this scale. Cooper envisioned a grand score to complement the largerthanlife story of an ...