You are what you own. So believed many of the elite men and women of Renaissance Italy. The notion that a person's belongings transmit something about their personal history, status, and character was renewed in the fifteenth and early sixteenth centuries. Objects of Virtue explores the multiple meanings and values of the objects with which families like the Medici, Este, and Gonzaga surrounded themselves. This lavishly illustrated volume examines the complicated relationships between the so-called fine arts--painting and sculpture--and artifacts of other kinds for which artistry might be as important as utility-furniture, jewelry, and vessels made of gold, silver, and bronze, precious and semi-precious stone, glass, and ceramic. The works discussed were designed and made by artists as famous as Andrea Mantegna, Raphael, and Michelangelo, as well as by lesser-known specialists--goldsmiths, gem-engravers, glassmakers, and maiolica painters.
“They're peasants—I guess they eventually show up in a Gogol short story drinking themselves to death.” Dimitri laughed. “You are probably right about that. Seriously though, what do you think of the piece?” “It's exquisite.” Anne said.
The object of virtue, formally speaking, is the good (I.II 56.3 arg 2, ad 2). (We will begin by examining the most formal object of virtue; the somewhat formal and somewhat material object will be considered when we examine virtue's ...
Virtue has exposed the centrality of character, the limitations of character, and the role and makeup of moral action ... But when understood as objects of virtue, I would contend that desires are not only directed toward the right ends ...
This book examines a variety of social practices that implicate community in its relationship to property. These practices range from more obvious property-based communities like Israeli kibbutzim to surprising examples such as queues.
However, in some areas such as his theology of grace, his thought underwent titanic developments. In this book, Justin M. Anderson traces both those developments in grace and their causes.