Photographs by Yevgeny Khaldei
Biographical essay by Alexander and Alice Nakhimovsky
One of the greatest Soviet treasures to come to light after the end of the cold war is the work of the photographer Yevgeny Khaldei. A staff photographer for the Soviet news agency TASS during World War II, Khaldei produced a tremendous and valuable archive of images. He covered every day of the conflict from the German invasion of the USSR in 1941 to the fall of Berlin in 1945, where he raced to the roof of the burning Reichstag to take his famous photograph of a soldier hoisting the Soviet flag. His unflinching approach, and the moving images that resulted, have led to comparisons with the work of Robert Capa.
Khaldei's life was shaped by the triumphs and disasters of the Soviet twentieth century. Yevgeny Khaldei was born in 1917, just months before the Bolshevik Revolution. A year later, as pogroms ravaged the Jewish towns of the Ukraine, his mother was shot and the bullet that killed her lodged in his chest. At the age of eleven he made a crude camera from a cardboard box and his grandmother's spectacles. Before long his images of the heroes of Soviet construction, triumphant steelworkers and stoic farmers, were appearing in the newspaper Pravda. By the end of the war Khaldei was acknowledged as Russia's greatest combat photographer. Born as the Soviet Union was coming into existence, Yevgeny Khaldei has lived through its struggles, triumphs, and eventually its downfall. Eighty years old, Yevgeny Khaldei still resides in Moscow.
Douglas Johnson: Southwest Traditions and Modern Icons
"Published in conjunction with the exhibition 'Street level: Mark Bradford, William Cordova and Robin Rhode', Nasher Museum of Art at Duke University, March 29-July 29, 2007"--T.p. verso.
时间一晃了1991年9月,王老先生发来了二封。里附带费,诚周长上他见面。周长顿时了,做梦一样,想一张照片有这么大的力量,让他一趟从未过的大上,还和侨“谈”。周长怀惴惴不的心情来上,在一酒见了这、爽的王老先生。他了,原来这王老先生的籍在东头,早年毕业于上 ...
宋徽宗瘦金体《千字文》是中国书法史上的赫赫名迹,现藏于上海博物馆,纵30.9厘米、横322.1厘米,朱丝界栏,素笺本,书法落款亦为“崇宁甲申岁宣和殿书赐童贯”,并有大量鉴藏印如“乾隆御览之宝”、“嘉庆御览之宝”、“宣统御览之宝”、“安仪周家珍藏”等。
Here is what has become of the Odeons, Strands, and Arcadias that existed as velvet and marble outposts of Hollywood drama next to barbershops, hardware stores, and five-and-dimes.
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But Lawler is also an old-fashioned "artist's artist," long overdue for the kind of serious reconsideration and recognition that this volume affords.
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This book presents for the first time a selection of Imes's elegant, formally balanced black-and-white images, recorded over nearly twenty years, of local people, river baptisms, black baseball teams, backyards,...
Describes the federal expeditions Hillers accompanied to the American West