Wells informs the reader that everything that has been taught about the evolution of man is wrong, and that every iconic image, from the primordial soup to the changing colors of moths in industrial England to the ascent of man is inconclusive, incomplete, or outright fraudulent. Illustrations.
The author presents arguments against the current prevailing evolutionary theories.
How would you react if told that you and your children have been lied to in science lessons at school and university? Yet this is exactly what has been happening for decades, as Icons of Evolution' demonstrates.
Offers a set of clear, understandable explanations for the evidence for evolution and why that evidence is so important for the understanding of the origins of life.
Paul Z. Myers is a biology professor at the University of Minnesota–Morris, a public institution. Myers recommends “the public firing and humiliation” of teachers who dare to speak approvingly about intelligent design.
Partulid tree-snails of the Pacific Islands are an iconic group of animals, having been the subject of the first evolutionary field studies in the early 20th century.
In Why Darwin Matters, bestselling author Michael Shermer explains how the newest brand of creationism appeals to our predisposition to look for a designer behind life's complexity.
Cole, Elbert C. 1933. An Introduction to Biology. New York: Wiley. Cole, F. J. 1953. “The History of Albrecht Dürer's Rhinoceros in Zoological Literature.” In Science, Medicine and History: Essays on the Evolution of Scientific Thought ...
This is more than just a book about pets and livestock, however. The revelation of Unnatural Selection is that identical traits can occur in all animals, wild and domesticated, and both are governed by the same evolutionary principles.
The Myth of Junk DNA is written for a general audience by biologist Jonathan Wells, author of Icons of Evolution. Citing some of the abundant evidence from recent genome projects, the book shows that "junk DNA" is not science, but myth.
How can it be possible that the world we see is not objective reality? And how can our senses be useful if they are not communicating the truth? Hoffman grapples with these questions and more over the course of this eye-opening work.