Eighteen women, including Jamaica Kincaid, Rigoberta Menchú, Cherríe Moraga, Marjorie Agosin, Margaret Randall, Gloria Anzaldúa, Michelle Cliff, Edwidge Danticat, and Julia Alvarez, are featured in this powerful anthology on art, feminism, and activism in Latin America and the Caribbean. Women Writing Resistance highlights Latin American and Caribbean women writers who, with increasing urgency, are writing in the service of social justice and against the entrenched patriarchal, racist, and exploitative regimes that have ruled their countries. Many of the women in this collection have been thrust out into the Latino-Caribbean diaspora by violent forces that make differences in language and culture seem less significant than connections based on resistance to inequality and oppression. It is these connections that Women Writing Resistance highlights, presenting "conversations" on the potential of writing to confront injustice. This mixed-genre anthology, a resource for activists and readers of Latin American and Caribbean women's literature, demonstrates and enacts how women can collaborate across class, race and nationality, and illustrates the value of this solidarity in the ongoing struggles for human rights and social justice in the Americas. Jennifer Browdy de Hernandez earned her Ph.D. in comparative literature from New York University, specializing in contemporary Caribbean, Latin American, and ethnic North American autobiographies by women. She teaches literature and gender studies courses at Simon's Rock College of Bard, and is also a faculty member at the University at Albany, SUNY.
Interdisciplinary in scope, this collection provides an excellent introduction to contemporary African women’s literature and highlights social issues that are particular to Africa but are also of worldwide concern.
His second book, I Liked You Better Before I Knew You So Well, is a collection of personal lyric essays. The book was selected by author Chris Kraus as the winner of the Cleveland State University Poetry Center Press's Essay Award.
The African-born contributors move beyond the linked dichotomies of victim/oppressor and victim/heroine to present their experiences of resistance in full complexity: they are at the forward edge of the tide of women's empowerment moving ...
In Aucun de nous ne reviendra, for example, those internees who are referred to as “mothers” merely cease to exist as such: “Ils ont mis nos mères nues devant nous. Iciles mères ne sont plus mères à leurs enfants.
The critical introduction frames the intellectual work behind the building of the anthology by describing how poets break silence, disrupt narratives, and use strategic anger to resist for change.
Inspired by actual events, Resistance Women is an unforgettable story of ordinary people determined to resist the rise of evil.
Writing Resistance features three of these memoirs, all translated into English for the first time.
In these texts Beard terms "genres of resistance," women resist the cultural definitions imposed upon them in an effort to speak and name their own experiences.
This classic book provides a historical overview of feminist strands among the modern revolutionary movements of Russia, China and the Third World.
A trade paperback anthology of original essays from leading feminist writers on protest and solidarity in the Trump era