It was not until 1947, thirty-eight years after Frederic Remington's death, that the first fairly comprehensive book about his life and work was published. That Harold McCracken completed "Frederic Remington: Artist of the Old West" was due in large part to the efforts of Emma Caten of Ogdensburg, New York, the sister of Remington's wife. Frederic and Eva Remington had no children, and Remington himself had been an only child, so after his death in 1909 it was Eva and, later, Emma who, with the help of Remington's friend John Howard, took responsibility for the collection of unsold paintings, sketches, and western paraphernalia in the house in Ridgefield, Connecticut, where the Remingtons were living when he died. When Eva died in 1918, she bequeathed the collection, as well as a copy of each of Remington's bronzes, to the Ogdensburg Public Library. When the library suffered a fire, the collection was transferred to the Parish Mansion in Ogdensburg, overlooking the St. Lawrence River, and it was remodeled and renamed the Remington Art Memorial. Still housed in the same building (including an addition) and now called the Frederic Remington Art Museum, the collection contains a comprehensive trove of Remington works and personal effects, including many letters. -- Introduction.
Beautifully illustrated with more than 150 figures and 100 color plates, this book offers insightful essays by notable art historians who explore Remington’s experiences in Taos, New Mexico, and other parts of the West.
From reviews of the first edition: "Richly illustrated . . . this handsome volume presents the rugged beauty and rowdy spirit of life on the frontier, as captured by two master painters." —Art Gallery International ". . . large color ...
"In this book, Sarah Watts probes this dark side of the Rough Rider, presenting a fascinating psychological portrait of a man whose personal obsession with masculinity profoundly influenced the fate of a nation.
36 : 2 3 4 Karal Ann Marling , Norman Rockwell ( New York : Harry N. Abrams , 1997 ) , 90-109 , 116 . Norman Rockwell , My Adventures as ... Arthur L. Guptill , Norman Rockwell Illustrator ( New York : WatsonGuptill , 1946 ) , 199–203 .
This generously illustrated volume is the first to examine the exceptional collection of his works housed at the Frederic Remington Art Museum in Ogdensburg, New York.
Frederic Remington was the greatest artist of the American West. Here, masterworks that span the artist's entire career, including selections from his letters, diaries, and fiction, provide a comprehensive look...
A History of Television's The Virginian, 1962–1971. Jefferson: McFarland, 2006. Gressley, Gene M. “Teschemacher and deBillier Cattle Company: A Study of Eastern Capital on the Frontier.” Business History Review 33.2 (1959): 121–137.
... Russell and the Language of Western Art ( Washington , DC : Trust for Museum Exhibitions , 2000 ) . Dippie , Brian ( ed . ) . Charles M. Russell , Word Painter : Letters 1887-1926 ( Fort ... Remington's Wild West , Frederic Remington 275.
A., 1996) D. Kuspit: Idiosyncratic Identities: Artists at the End of the Avante-Garde (Cambridge, 1996) R. Gordon and others: Deborah Butterfield (New York, 2003) J. Smiley: “Horse Sense,” SWArt, 33/3 (Aug 2003), pp.
John G. Bourke, On the Border with Crook (New York: Charles Scribner's Sons, 1891), 464. 15. For examples of the variety of army contacts to provided hay, beef, flour, fuel and many other necessities to the military consult: Darlis A.