Film Noir is a uniquely American genre that has stylistic links to the German expressionist cinema of the 1920s and thematic links to the hard-boiled crime fiction that emerged in the 1930s. Generally the milieu is urban and middle class, and the overall feel is one of repression and fatalism. Whether shot in black and white or color, the style reinforces the overall feel. Films, directors, actors, producers, screenwriters, art directors, themes, plot devices and many other elements are contained in this encyclopedic reference work. Each movie entry includes full filmographic data (studio, running time, production and cast credits, and plot synopsis) along with an analysis of its place in the genre. Biographical entries focus on the persons role in noir and provide a complete filmography of their film noir work. Terms are placed in the context of the genre and relevant examples from films are given.
Peter Graves, Mala Powers, Chuck Connors, Merry Anders, Roy Engel. Screenplay by: John McGreevey. Directed by: Joseph M. Newman. Noir Type: Undercover. Noir Themes: Greed, betrayal, social reform. BB∂ Graves (from TV's Mission ...
Offers a reference guide to film noir, extending from relevant films from before the genre was established to contemporary neonoirs and other types of film derived from the genre.
In the wake of the remarkable success of Film Noir Reader, this new collection further explores a genre of limitless fascination -- and one that continues to inspire and galvanise the latest generation of film-makers.
This reference work will be a valuable resource for film scholars and fans who wish to explore the ever-evolving aspects of "Neo-Noir" cinema.
The volume provides a valuable overview of the historical evolution of this genre; it teases out the critical debates over generic and stylistic elements, and charts film noir from its inception in the post-War period through to ...
Agee, James. Agee on Film. Vol. 1. New York: McDowell, Obolensky, 1958. Alton, John. Painting with Light. Berkeley: University of California Press, 1995. Andersen, Thom. “Red Hollywood.” In Literature and the Visual Arts in Contemporary ...
This book offers a detailed analysis of many of Woolrich's novels and short stories; examines films adapted from these works; and shows how Woolrich's techniques and themes influenced the noir genre.
These are exciting movies with tough guys in trench coats and hot tomatoes in form-fitting gowns. The moon is a streetlamp and the narrow streets are prowled by squad cars and long black limousines.
Crowther, B. (1988) Film Noir: Reflections in a Dark Mirror (Columbus, London). Davis, M. (1990) City of Quartz: Excavating the Future in Los Angeles (Verso, London). Dawson, J. (1995) Quentin Tarantino: The Cinema of Cool (Applause ...
Introduction. -- Theory of genre. -- Film noir: the genre defined. -- Objections. -- Style. -- Period style. -- Alfred Hitchcock. -- Meanings. -- Last words.