As Brian Hanley and Scott Millar have noted: 'Popular nationalism was reflected in the pop charts.' The militaristic song, 'with its cheery if anachronistic chorus', ended up spending a total of six weeks at Number One.151 Across the ...
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In addition, this new volume includes a larger sampling of women writers.
The book examines the hagiographic potential of rebel songs to memorialize a pantheon of republican martyrs, and demonstrates how musical performance and political song not only articulate experiences and memories of oppression and violence ...
The modern Irish drama : a documentary history . I The Irish literary theatre , 1899-1901 ; 11 Laying the foundations , 1902-1904 ; III The Abbey Theatre : the years of Synge , 1905-9 ; IV The rise of the realists , 1910-15 ; v The art ...
An authoritative assessment of the Republicans strength in their stronghold in southern Ireland, as compared with that of their opponents, was: ... the relative strengths in the 1st Southern Division area at the time were: IRA, 1.270; ...
At a time when recording companies and record sales were marginal, the book shows the centrality of the live show and of the sale of sheet music to the economy of the entertainment industry.
That's why supporters of Celtic and Rangers sang songs and chanted slogans about the conflict in Ireland rather than the skills of respective players. Ironically, one of the Wolfe Tones' most famous songs beyond their ballad of James ...
... are the core of Sangschaw: Mars is braw in crammasy, Venus in a green silk goun, The auld mune shak's her gowden feathers, Their starry talk's a wheen o' blethers, Nane for thee a thoctie sparin', Earth, thou bonnie broukit bairn!
Dark Rosaleen " is Mangan's version of Roísín Dubh , a 17th century poem ascribed to Owen Roe MacWard . Mangan produced three versions , the best - known of which , from The Nation of May 30 , 1846 , appears here ; a later version ...