He remained known , however , as ' il prete genovese ' ( the Genoese priest ) . 781 Portrait of a gentleman ( Fig . 159 ) . Oil on canvas , 1.38 x 1.07 m . CONDITION : good . Partially restored May - July 1969.
Music and Paintings in the National Gallery of Ireland
griffithS 2010 Griffiths, Antony. “A Funny Sortof Print: A Rubbing from a Genoese Salver.” In L'Estampeau Grand Siècle, études offertes à Maxime Préaud. Edited by Peter Fuhring et al., 109 – 118. Paris, 2010. groSSi biAnchi 2005 Grossi ...
The Walters Art Museum, Baltimore. sat to Batoni, as did husbands and wives. 43 A more complex relationship exists among the sitters of the four half-length portraits that Horace Walpole saw at the Grosvenor Square house of Katherine, ...
Master European Paintings from the National Gallery of Ireland: Mantegna to Goya
Snow! Cookies! Candy! Mouse loves snow days. When he's accidently swept out the door and into the snow, Mouse has a blast ice-skating, sledding, and building snow animals-always just one...
Giovanni Battista Tiepolo, Museo del Settecento veneziano, Metropolitan Museum of Art (New York, N.Y.) Keith Christiansen ... Wynne, Michael 1986 Later Italian Paintings in the National Gallery of Ireland: The Seventeenth, Eighteenth, ...
Later Flemish Paintings in the National Gallery of Ireland: The Seventeenth to Nineteenth Centuries
... of Poland (a standing knight wearing a suit of armor) and Muscovy (a female figure seated at his feet) are located on the prow, while the baldachin and the figure of the king are lightly indicated in pencil on the stern.
The first volume cataloging the Irish painters in the National Gallery of Ireland covers more than 220 paintings from the late seventeenth century to the early nineteenth century, including figures...
In chapters s and 6 we discuss further consequences of the change of attitude . The iconography of the spiritual marriage , firmly established in the later Middle Ages by the commentaries of Saint Thomas , is complex .