This book explores John Singer Sargent's (1856 - 1925) development as one of the most brilliant portrait painters of the Victorian and Edwardian eras, and specifically focuses on one of his most beautiful female portraits, Lady Agnew of Lochnaw, now in the National Gallery of Scotland. Due to the enthusiastic reception of this particular work. Sargent was assured a large clientele of wealthy, society women, including Mrs George Swinton (Art Institute of Chicago) and Mrs Charles Thursby (The Newark Museum, New Jersey).
Beyond this, it examines the social, political and economic aspects of the time in which Sargent and Lady Agnew lived. Included in the book are essays by three leading scholars in the fields of fine art, history, and music. The book is fully illustrated with 40 color plates. Accompanies the only UK showing of this exhibition at the National Gallery of Scotland and includes works from major private and public collections throughout the world.
Technology and the Visual Arts in the Nineteenth Century
What Great Paintings Say: Masterpieces in Detail
Ciampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
Per tale motivo , nel 1908 in America la Germantown sullo schermo , e mettendosi a cantare sul filo dell'accompagna- Citizens ' Association mise al bando questi copricapi da " vedova mento musicale . Un simile coinvolgimento era ...
In the 1940s the Mandragora group around Braulio Arenas and Enrique Gomez Correa emerged in Santiago de Chile , distinguishing Surrealism from the Stalinism of the poet Pablo Neruda . In Buenos Aires the flavour of the movement was ...
Catalog of a traveling exhibition first held at the Museum of Fine Arts, Houston, Apr. 2-Aug. 28, 1995.
The art of Betye and Alison Saar: secrets, dialogues, revelations : Wight art gallery, University of California Los Angeles, [January...
According to A. Sutherland Harris , this painting bore an attribution to Jan Asselijn ' until it was recognised as a work of Du Jardin by Otto Naumann in 1984 ( privately ) . This was confirmed by R. Trnek and accepted by both A. C. ...
David Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
Abstrakter Expressionismus (Abstract Expressionism, Dt.). Der Triumph Der Amerikanischen Malerei