Over thirty years, Tanya Harrod has written on craft for newspapers, magazines, and journals. As these essays show, there are no boundaries in her vision: art is considered in the light of craft, and craft in the light of art; design is present too - developing and sometimes separating from craft and art. In part these essays document the development of these shifts, looking always at the particular, vivid embodiment. The real thing is a surprising and substantial contribution to the literature of 'making'.Tanya Harrod's subjects range from the sculpture of Barbara Hepworth to the poetic objects-in-landscape of Ian Hamilton Finlay, from the science fiction of Philip K. Dick to the theories of Richard Sennett, from Welsh quarry slates to the fine art of icing cakes, from the ceramics of Pablo Picasso to the still lives of Gwyn Hanssen Pigott. The essays are grouped into three parts: reviews of exhibitions and events ('Visiting'), reflections on themes and phenomena ('Reading'), warm and historically informed portraits of makers ('People'). Two longer essays are appended, previously published in hard-to-access publications.
Looks at Wegman's paintings, drawings, photographs, and videos, and discusses his use of humor
Making Connections Across Art Forms
Features the best of the new crop of art school graduates, chosen through open submission.
"Unstuck in Time is a multi-format exhibition that explores how perceptions of time influence humankind's occupation of the earth and our relationship to each other.
Mary Fitzgerald
Against Grids: Paintings and Objects by Ian Dawson, Nick Mead, Katie Pratt
Dragica Milunovic
Canadian Participants: Alan Dunning, Holly King, Scott McFarland, Jeff Wall, Lawrence Paul Yuxweluptun.
Freeman and Cora Schoolcraft: A Tribute
Der Modeunternehmer Theo Wormland (1907-1983) baute ab den 1960er-Jahren eine der bedeutendsten Privatsammlungen des Surrealismus auf, die 2013 der Pinakothek der Moderne geschenkt und dort mit einer großen Sonderausstellung gewürdigt ...