In Piero della Francesca in America, the first monographic exhibition on the artist in the United States, seven magnificent paintings evoke, on an intimate scale, the Arezzo experience.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations.
On the Graziani family of Sansepolcro, see James R. Banker, The Culture of San Sepolcro during the Youth of Piero della Francesca (Ann Arbor, 2003), pp. 236 – 42. See Cronaca Amadi, in Family Memoirs from Venice, ed.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations.
Thousands of travelers visit Tuscany and Umbria each year to follow the Piero della Francesca Trail. John Pope-Hennessy examines each work of Piero della Francesca.
Angelini, Alessandro, “Per la cronologia del dittico dei Montefeltro di Piero della Francesca,” Prospectiva, ... Banker, James R., The Culture of San Sepolcro during the Youth of Piero della Francesca (Ann Arbor, MI, 2003).
This beautiful series lavishly illustrates the world's major fresco cycles from the early fourteenth through the seventeenth centuries. Each book also contains a comprehensive text, a biography of the artist,...
A study of the master of Renaissance painting, Piero della Francesca which describes his innovative use of perspective, the simplicity of his compositions and his sensitive use of light and...
In this nuanced account of this great painter’s life and art, Machtelt Brüggen Israëls reconstructs how Piero came of age.
I see man sick of Images , man sick of his Image . ... I crave , I long for Abstinence from Images , for every Image is bad . ” 5 Barthes is concerned here with the ideological , stereotypical , or , as he calls it , " endoxical " Image ...
Dunkerton, Giotto to Dürer, 198. Piero's use of oil has been inferred from the way his paintings, including the Misericordia Altarpiece, wrinkled and cracked over the centuries. 20. e transmission of perspective from Italy to the ...