Although the bibliography of literature about personalities in the conducting world is extensive, a comprehensive, scholarly study of the history of conducting has been sorely lacking. Georg Schünemann's respected study, published in 1913, was brief and restricted to the procedures of time-beating. No work has attempted to examine the role of the orchestral conductor and to document the evolution of his art from historical, technical, and aesthetic perspectives. Dr. Elliott W. Galkin, musicologist, conductor, and critic-twice winner of the Deems Taylor award for distinguished writing about music-has produced such a work in A History of Orchestral Conducting. The central historical section of the book, which examines chronologically the theories and functions of time-beating and interpretative concepts of performance, is preceded by discussions of rhythm, development of the orchestral medium, and the evolving characteristics of orchestration. Conductors of unusual pivotal influence are examined in depth, as is the increasingly complex psychology of the podium. Critical writings since the time of Monteverdi and the birth of the orchestra are surveyed and compared. Analyses of conducting as an art and craft by musicians from Berlioz to Bernstein and commentators from Mattheson, Bernard Shaw, and Thomas Mann to Jacques Barzun, are described and discussed. A fascinating collection of engravings, wood cuts, photographs and caricatures contributes to the richness of this work.
How to Conduct-- Yourself!: Conducting Cues for Instant Musical Composition
The Conductor's Workshop: A Workbook on Instrumental Conducting
This book applies the principles of business leadership to the task of leading a musical ensemble.
Consider the various clefs used in a full score (for orchestra and band) and also the transpositions involved in two ways: ... RECOMMENDED READING Battista, Frank, and Robert Garofalo, Guide to Score Study for the Wind Band Conductor.
"Drawing on his years on the podium and in the classroom, Prausnitz delineates the conductor's art in its two essential facets: profound understanding and command of the material (score) and the skills necessary to impart that understanding ...
This collection of essays on the interpretation of twenty-two unusual concert pieces was assembled partly with a view to more imaginative program planning.
... est par le fait le modèle le plus parfait que tout instrumentiste de l'harmonie doit chercher à imiter . L'habileté de l'exécutant sera d'autant plus grande que l'imitation sera plus exacte . Mais nous n'aurons pas , sur ce point , à ...
Now updated and including two new chapters, this volume portrays the politics and inflated economics surrounding the podiums of today's international classical music scene, and the obstacles faced by blacks, women, and gays.
Unlike other encyclopedic works, contributions to this series focus primarily on the knowledge required by the contemporary musical student or performer.
This practical guide to conducting wisely stays away from musical theory and concentrates on how to communicate with musicians from base amateur to seasoned professional This is a must for a newly aspiring conductor, and an experienced ...