In a work that will become indispensable to anyone seriously interested in modern art, Yve-Alain Bois and Rosalind Krauss introduce a new constellation of concepts to our understanding of avant-garde and modernist art practices. Formless: A User's Guide constitutes a decisive and dramatic transformation of the study of twentieth-century culture. Although it has been over sixty years since Georges Bataille undertook his philosophical development of the term informe, only in recent years has the idea of the "formless" been deployed in the theorizing and reconfiguring of the field of twentieth-century art. This is partly because that field has most often been crudely set up as a battle between form and content; "formless" constitutes a third term standing outside that opposition, outside the binary thinking that is itself formal.
In Formless: A User's Guide, Bois and Krauss present a rich and compelling panorama of the formless. They chart its persistence within a history of modernism that has always repressed it in the interest of privileging formal mastery, and they assess its destiny within current artistic production. In the domain of practice, they analyze it as an operational tool, the structural cunning of which has repeatedly been suppressed in the service of a thematics of art. Neither theme nor form, formless is, as Bataille himself expressed it, a "job." The job of Formless: A User's Guide is to explore the power of the informe. A stunning new map of twentieth-century art emerges from this reconceptualization and from the brilliantly original analyses of the work of Jackson Pollock, Andy Warhol, Cy Twombly, Lucio Fontana, Cindy Sherman, Claes Oldenburg, Jean Dubuffet, Robert Smithson, and Gordon Matta-Clark, among others.
... Formless Self . " 33 Probing the meaning of formlessness , Hisamatsu asks the question whether there can be any ... formless . Thus , Zen formlessness does not coincide with the supposed formlessness of self - consciousness . To further ...
Gathering and interpreting material that is not readily available elsewhere, this book discusses the thought of the Japanese Buddhist philosophers Dogen, Hisamatsu, and Nishitani.
... formless (e.g., Duffy; Leahy; Richter; Ryan). On the other hand, once the question of the formless is identified with certain objects, such as has happened with “abject art,” then Hal Foster is right to say that we are no longer dealing ...
It focuses on contemporary experimental composition in which failure rubs elbows with the categories of chance, noise, and obscurity. In these works we hear failure anew.
... formless Self. Looking and finding no objective self yet again, we can confirm that we are formless in our essential nature. Take a look at this formlessness and see that it is what is hearing and perceiving the thoughts in your head ...
Religion and Identity in Aboriginal Australia Hans Mol. SACKETT, LEE, 1977. ... Canberra: Australian Institute of Aboriginal Studies. SMITH, PATsy ADAM. 1971. ... The Mardudjara Aborigines. New York: Rinehart and Winston. TUGBY, DonALD.
This book is meant to be used as a guide to help you realize what already exists within.
From the ancient wisdom of Bruce Lee, Rashad created Be Formless: a book dedicated to understanding who you are and how to become the best version of yourself.
Mikes spiritual workouts will begin to change your outlook in a matter of weeks and enable you to achieve true spiritual growth and a more rewarding life in general. This book has my highest recommendation.
This captivating book transcends boundaries and invites readers to explore the depths of their inner being, guiding them from the constraints of form to the boundless realm of the formless.