Few works of political and cultural theory have been as enduringly provocative as Guy Debord's Society of the Spectacle. From its publication amid the social upheavals of the 1960s to the present, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life in the late twentieth century. Now finally available in a superb English translation approved by the author, Debord's text remains as crucial as ever for understanding the contemporary effects of power, which are increasingly inseparable from the new virtual worlds of our rapidly changing image / information culture.
"In all that has happened in the last twenty years, the most important change lies in the very continuity of the spectacle. Quite simply, the spectacle's domination has succeeded in raising a whole generation moulded to its laws. The extraordinary new conditions in which this entire generation has lived constitute a comprehensive summary of all that, henceforth, the spectacle will forbid; and also all that it will permit."-- Guy Debord (1988)
From its publication amid the social upheavals of the 1960's, in particular the May 1968 uprisings in France, up to the present day, with global capitalism seemingly staggering around in it’s Zombie end-phase, the volatile theses of this ...
In Comments on the Society of the Spectacle, publishedtwenty years later, Debord returned to the themes of his previousanalysis and demonstrated how they were all the more relevant in aperiod when the “integrated spectacle” was dominant ...
All contributions included in this book rework the category of the Spectacle to present a stimulating compendium of theoretical critical literature in the fields of media and labour studies.
The Society of the Spectacle (with notes from Heath Schultz)
Rethinking the Spectacle re-examines the tension between spectacle and political agency using the ideas and practices of Guy Debord and the Situationist International as a point of departure.
According to this fascinating new book, the Simpson case was just one example of what the author calls 'media spectacle' - a form of media culture that puts contemporary dreams, nightmares, fantasies and values on display.
Metropolis, by Fritz Lang and Thea von Harbou (1927), is a film that exposes with unequaled clarity and clairvoyance of how the implementation of artificial intelligence and the military organization of the human masses generates the ...
Rawson 1991: 509–10; Edwards 1993: III; and Gruen 1992: 202 ft., with further bibliography. 54. The earliest attempt to legislate these distinctions that we know of dates to 194 B.C.E. and is described by Livy himself (34.4.4.4–5; ...
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"An excellent and timely book.