This book and its accompanying exhibition highlight their position at the crossroads of artistic, feminist, and African American cultural legacies.
John A. Lomax and Alan Lomax. Folk Song USA, Alan Lomax. ed. (New York: Duell. Sloan & Pearce, 1947), 15. 9. Taylor, op. at.. 26. 10. Gloria Ferman Orenstein, "The Re-emergence of the Archetype of the Great Goddess in Art by ...
Memory and Identity: The Marvelous Art of Betye, Lezley and Alison Saar
Drawing on new research into the work's construction and materials, and on firsthand discussions with the artist, this concise, generously illustrated volume explores one of Saar's best-known and most iconic works.
To commemorate the opening of their new museum, Spelman College presents an unprecedented exhibition of the work of contemporary African American women artists.Twenty-five of the most outstanding African American women...
Betye Saar: Resurrection : Site Installations, 1977 to 1987 : [exhibition] February 6-March 6, 1988, Main Art Gallery, Visual Arts...
"These works are what I leave behind."
This innovative essay collection joins the voices of practicing artists with those of art historians, acknowledging the fluidity of those categories.
This comprehensive, lavishly illustrated catalogue offers an in-depth survey of the incredibly vital but often overlooked legacy of Los Angeles's African American artists, featuring many never-before-seen works.