Born and raised in Mississippi and Tennessee, William Eggleston began taking pictures during the 1960s after seeing Henri Cartier-Bresson's The Decisive Moment. In 1966 he changed from black and white to color film, perhaps to make the medium more his own and less that of his esteemed predecessors. John Sarkowski, when he was curator of photography at the Museum of Modern Art, called Eggleston the "first color photographer, " and certainly the world in which we consider a color photograph as art has changed because of Eggleston. From 1966 to 1971, Eggleston would occasionally use a two and one quarter inch format for photographs. These are collected and published here for the first time, adding more classic Eggleston images to photography's color canon.
Unusual in its concentration on family and friends, the book highlights an air of offhand intimacy, typical of Eggleston and typically surprising.
Ancient and Modern is a collection of photographs chosen from Eggleston's earliest photographs taken in the American South, Africa and England.
Over the course of nearly six decades, William Eggleston—often referred to as the “father of color photography”—has established a singular pictorial style that deftly combines vernacular subject matter with an innate and ...
He has curated over twenty-five exhibitions, including Seeing beyond the Ordinary, The Mythology of Florida, Contemporary Alabama Photography, The Colourful South, Eudora Welty: Photographs from the 1930s and 40s, and A Place and Time ...
The genre of still life is considered from a wide range of visual perspectives as it spans the history of photography from the early nineteenth century to the present.
In April 1979, a book of fifteen colour photographs by William Eggleston was published in a limited edition of twenty. The photographs were taken from the second chapter of an unpublished larger work entitled Wedgewood Blue.
Found in Japan's oldest book of poetry, "Ayu no kaze" is a sailor's phrase meaning "the wind of promise.
Alongside over 600 photographs taken by Mick Rock, Bowie's personal and often humorous commentary gives insight into his work and the creation of his most memorable persona
From 1966 to 1971, Eggleston would occasionally use a two and one quarter inch format for photographs. These are collected and published here, adding more classic Eggleston images to photography's color canon.--Publisher's description.
In the seventeenth century, Simon de Varie's book was divided into three sections and sold as separate volumes. Two of these volumes are today in the Royal Library in The Hague.