In 1954 artists Nigel Henderson and Eduardo Paolozzi formed a creative partnership under the company name of Hammer Prints Limited. Over the course of the next seven years, the two artists established a commercial venture, collaboratively designing patterns and working with industry specialists to produce wallpapers, fabrics, ceramic tiles, furniture and tableware using their designs.This new book is published by firstsite on the occasion of the exhibition Nigel Henderson & Eduardo Paolozzi: Hammer Prints Limited (8 December 2012 – 3 March 2013). Based on original research, the exhibition charts the history of Hammer Prints within the context of their broader artistic output and other collaborations such as the exhibitions, Parallel of Life and Art (Institute of Contemporary Arts, London, 1953) and This is Tomorrow (Whitechapel Art Gallery, London, 1956).The publication documents original exhibition research, features contributions from leading experts including firstsite curator Michelle Cotton, Eduardo Paolozzi's biographer Robin Spencer, design historian Lesley Jackson, and includes full colour reproductions of the Hammer designs and artwork alongside hitherto unseen working material.
ABU Nigel Henderson , 1949 12 ] Nigel Henderson , Collage ( 1949 ) . Oil and photographic collage mounted on card ; purchased from artist by Tate Gallery , 1974 Braque , Picasso , Schwitters and Gris - partly borrowed from Roland ...
In this book, Kevin Lotery argues that the IG turned to the cross-disciplinary form of exhibition design as the only medium capable of getting the measure of these forces, the only technique that could integrate high and low, aesthetic and ...
Eduardo Paolozzi
Key exhibitions such as "Parallel of Life and Art" and "This Is Tomorrow" are also examined. The major aim of this book is to offer a new understanding of the history of Independent Group.
"For Paolozzi, a surrealist before surrealism was readmitted to the modernist canon, much of the avant garde and its culturally conservative determinant art history are among bourgeois society's last taboos....
As Found encounters the transdisciplinary relationship between the constructed environment as it is visually perceived and verbally expressed. Edited by Claude Lichtenstein & Thomas Schregenberger.
This Is Tomorrow was a seminal exhibition of art, architecture, music and graphic design that took place at London's Whitechapel Gallery in August 1956.
This beautiful book showcases 150 of these newly digitised photographs which capture the heart of working-class life.
Eduardo Paolozzi is a major figure in postwar British art: a father of pop art, a creator of key icons of the nuclear age, a brilliant manipulator of the images...
Reyner Banham was a pioneer in arguing that technology, human needs, and environmental concerns must be considered an integral part of architecture.