This new edition includes an extra chapter on the production's visit to the ancient theatre of Epidaurus in Greece, and a new foreward by Peter Hall.
Dionysos, the God of wine and theatre has returned to his native land to take revenge on the puritanical Pentheus who refuses to recognise him of his rites.
Containing over a hundred interviews conducted over the last fifteen years with leading directors, actors and writers at the National Theatre, Buzz Buzz! is a fantastic compendium that offers unrivalled insight into the work and practice of ...
Fifty years ago Sir Peter Hall directed the English language world premiere of Samuel Backett's Waiting for Godot. Now he has returned to this extraordinary classic, the quintessential absurdist piece...
... Basle; Rebecca Dawson, Kieran Morris and Bettina Tiefenbrunner at Universal Edition; David Allenby, Sally Cox and Pippa Patterson at Boosey & Hawkes; Nicholas Clark at the Britten and Pears Archive, Aldeburgh; Neil Iarvis and Clare ...
Quite apart from arguments about the validity of his selections and judgements , Highet's work is an important document in the history of classical scholarship and needs to be revisited as a comparison with the very different approaches ...
A major collection of essays on the subject is titled, suggestively, Amid Our Troubles: Irish Versions of Greek Tragedy.69 And in that vein, Marianne McDonald (co-editor of Amid Our Troubles and frequent commentator on Irish classical ...
(2005), Dramaturgies de l'ombre: spectres et fantômes au théâtre. Rennes. LEACROFT, R. (1973), The Development of the English Playhouse. London. LE CERF DE LA VIEVILLE, J. L. (1704), Comparaison de la musique italienne et de la musique ...
Edith Hall, Rosie Wyles. Connolly, Dom R. H. (1909), The Liturgical Homilies of Narsai, translated from the Syriac, with ... Peter Hall's Bacchai: the National Theatre at Work. London. Csapo, Eric, and Slater, W. J. (1994), The Context of ...
... Hall's term, “abduction and rescue” narratives. Easterling (1997) 36. Geller (2013). Since I was unable to see ... Peter Hall's production of Bacchai (National Theatre of Great Britain, 2002), for example, claims both The Wicker Man ...