Pierre. Koenig's. Work. for. the. Chemehuevi. Indians. Wim de Wit The game was gone, the old songs were being forgotten and ... No one dedicated more time and energy to this effort, however, than Pierre Koenig (1925–2004), a Los Angeles ...
Volume 6.
Cambridge University Library's collection of illuminated manuscripts is of international significance.
Penny, Nicholas, National Gallery Catalogues: The Sixteenth Century Italian Paintings, vol. II: Venice 1540–1600 (London: The National Gallery, 2008). Pesenti, Allegra, 'The Use of Drawings in the Communication between Artists and ...
Reform of the script was central to the humanist agenda - this book suggests a new explanation of its international success.
... Bartolomeo Sanvito, Part two', Letter Arts Review, vol. 19, no. 2, 2004, pp. 19–23, and also P. Shaw, 'Poggio's Epitaph', Alphabet, Summer 2008, pp. 11–17, where he suggests a role for Poggio Bracciolini in the development of the carved ...
From the perspective of historians of Italian culture, it is particularly striking that, as Virginia Cox has commented in one of her outstanding studies of this topic, secular women emerged in the sixteenth century 'as cultural ...
... Bartolomeo Sanvito was considered one of the best Renaissance scribes. In his youth, he learned gothic cursive and his first Humanistic cursive style dates back to the middle of 1454. Despite the fact that in the 1470s the printing ...
In Reflections on Renaissance Venice, edited by Blake De Maria and Mary Lrank, 83-93. Milan: 5 Continents, 2012. -. Pliny and the Artistic Culture of the Italian Renaissance. New Haven: Yale University Press, 2013. -.
... Bartolomeo Sanvito, who rubricated all three. Vicenza Bibl Com Bertoliana G.2.8.12, copied by Sanvito, was written in Padua in 1460 for the Venetian Marcantonio Morosini, according to a note on the flyleaf; Genoa BUF.VI.15, with the ...