Odds Against Tomorrow (1959), which stars Harry Belafonte, Robert Ryan, Ed Begley, and Gloria Grahame, is written by blacklisted screenwriter Abraham Polonsky and directed by Robert Wise. The last great film noir of the black and white era it reflects the author's strong social conscience as racial conflict is portrayed as central to the failure of a bank robbery. This publication of the complete script blends the shooting script (written before the film was shot) and the continuity script (the elements which are contained in the finished film). The critical analysis draws extensively on specially conducted interviews with Robert Wise, Harry Belafonte and Abraham Polonsky. Discussed in depth are the significance of a black protagonist within the film noir genre; the adaptation from William McGivern's novel; and the critically celebrated jazz score by John Lewis of the Modern Jazz Quartet.
Aboard a ghost ship, sailors discover a tale of treasure, lust, and murder When the tanker finds the yacht, she is far from land, adrift in the middle of the Caribbean.
McGivern's electrifying and complex crime novel brings together two misfits--one black, one white--with nothing left to lose and nothing but each other.
Odds Against Tomorrow
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Bringing together original essays by ten respected scholars in the field, American Cinema of the 1950s explores the impact of the cultural environment of this decade on film, and the impact of film on the American cultural milieu.
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Ideal for anyone new to the job market or new to management, or anyone hoping to improve their work experience.”—Library Journal (starred review) “I am a huge fan of Alison Green’s Ask a Manager column. This book is even better.