Americans were introduced to Impressionism by the French in the 1880s. They explored its expressive potential and debated its merits in the 1890s, and by the turn of the 20th century, American painters had seized the style for their own. Included here are thirty superb examples of American Impressionist painting by the seminal artists who redefined the movement for American audiences, including Frank W. Benson, Mary Cassatt, William Merritt Chase, Childe Hassam, John Singer Sargent, John Henry Twachtman, and others.
Featuring contributions by some of the clearest voices and leading authorities on American Impressionism, Masters of Light brings into the spotlight brilliant and rarely seen paintings while illuminating their place in the larger currents of American art history. An essay by Kevin Sharp, "The Americanization of Impressionism," examines the unintentional circumstances and deliberate efforts that transformed Impressionism from an expression of the French vanguard into an international style, and eventually, into a peculiarly American enterprise. Long recognized as the premier private holding of nineteenth- and early twentieth-century American paintings in the world, the Manoogian Collection runs especially broad and deep in the area of American Impressionism, and includes many of the essential works produced by the painters who would become the "Masters of Light."
Technology and the Visual Arts in the Nineteenth Century
What Great Paintings Say: Masterpieces in Detail
Ciampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
Per tale motivo , nel 1908 in America la Germantown sullo schermo , e mettendosi a cantare sul filo dell'accompagna- Citizens ' Association mise al bando questi copricapi da " vedova mento musicale . Un simile coinvolgimento era ...
In the 1940s the Mandragora group around Braulio Arenas and Enrique Gomez Correa emerged in Santiago de Chile , distinguishing Surrealism from the Stalinism of the poet Pablo Neruda . In Buenos Aires the flavour of the movement was ...
Catalog of a traveling exhibition first held at the Museum of Fine Arts, Houston, Apr. 2-Aug. 28, 1995.
The art of Betye and Alison Saar: secrets, dialogues, revelations : Wight art gallery, University of California Los Angeles, [January...
According to A. Sutherland Harris , this painting bore an attribution to Jan Asselijn ' until it was recognised as a work of Du Jardin by Otto Naumann in 1984 ( privately ) . This was confirmed by R. Trnek and accepted by both A. C. ...
David Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
Abstrakter Expressionismus (Abstract Expressionism, Dt.). Der Triumph Der Amerikanischen Malerei