Kazuo Ishiugro's 2005 novel Never Let Me Go tells the story of a number of students growing up in a boarding school in England and eventually coming to grips with their destinies, with what they are supposed to do in life. What is both tragic and radically engaging in this novel is that the students are actually clones who will have their organs harvested for the "normals" of Britian. In this first book-length study of the influential novel, Brian Willems sets the work of Ishiguro in a new philosophical key. Analyzing the ramifications the story has for thought on death, poverty and the uncanny doubling of clones, Willems shows how a shakey rational awareness of the world usually ascribed to those considered other-than-human is actually what is most fundamental about "humanity" itself. The conjunction of such critical avenues makes Ishiguro's novel essential reading, giving it a currency that resonates not only in literary circles but also in those of law, philosophy and science, as well as instigating a film adaptation. By delineating the weak ontological differences between the humans and clones in the novel, Willems argues for a renewal of the poverty-of-self we tend to forget is a large part of what we always are. Brian Willems teaches literature and film theory at the University of Split, Croatia. He holds a doctorate in Media and Communication from the European Graduate School and is the author of Hopkins and Heidegger.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...