Poetry. Jane Gregory's MY ENEMIES records a poet's search for meaning in a landscape of combined and dissolving definitions. Affirming disaster and its beyond, these poems sing toward belief a self-made belief that will not rely on any static symbol or logic or idol. Gregory's dynamic, unpredictable enactments of the modern world avow vulnerability to a belief compatible with self-consciousness. Sometimes triumphant, sometimes overcome or self-ruinous, MY ENEMIES never halts in its search for definition, even when it claims to not have been written as in the serial "Book I Will Not Write" poems. Each poem here establishes a new, necessary material and mode for our uncertain world that can offer its readers something to believe in; despite forces internal and external that try to undo us, Gregory's poems redo that undoing until "my enemies" becomes instead "my eyes many," a new sonic way of seeing. "When Jane Gregory speaks of 'enemies' she speaks of those elements that (following Valery) ravage books and people alike: fire, humidity, wild animals, time, and their own inner content. Gregory knows how to let those elementals run free in her own words, and to make a friend of their disequilibrating energy. Her work renews romanticism in the twilight of time, knowing that even the spelling of words is the spilling of everything they cannot say. Here, the poet has overwritten the multiples of her 'Book I Will Not Write' with 'the fire in the ocean' with words that, reduced to their very atoms, 'in the dark: s, i, n, g.'" Andrew Joron "Jane Gregory's MY ENEMIES is a collection of high-stepping verses of live wires where every phrase is a detonation od swings, breaks and pops Thrillers 'suitable for blasting' (viz. 'guncotton') pages of startling figures, near rhymes and off rhymes, psychological, philosophical, ecological myths and near myths, sci-fi and paranormal references, and the multiple 'Book s] I Will Not Write.' Look at the word 'struggle' enough times in one stanza, and you suddenly see infinity, and as Baudelaire wrote, 'There is no point as sharp as that of the Infinite.' This book is 'so gone beyond' any you've ever seen." Norma Cole "Jane Gregory seems to take seriously Robert Duncan's claim that 'I make poetry as other men make war or make love or make states or revolutions.' In MY ENEMIES she lays claim to his statement on her own terms when she says 'I recognize the tongue of the wolf / before it is in the wolf's mouth.' Or, one might also say, she has written an adventurous first book." Peter Gizzi"
The poems in this collection by Lucy Maud Montgomery were written to reach the readers she thought of as "kindred spirits" - those thousands of people who then, as now, would be as deeply moved as she was by beauty in nature and in spirit.
... lines that, like so many magicians, conjure a rabbit there for her pleasure Spark-charged Jim, he'd throw off nine new ideas a minute; most were wildly impractical or even silly but some, some were ingenious; he could shower sparks ...
An anthology of short stories and poems by Edgar Allan Poe including "The Murders in the Rue Morgue," "The Purloined Letter," "Annabel Lee," and "The Raven."
Edgar Allan Poe: Short Stories, Poems, Novels
Presents a collection of tales from Edgar Allan Poe in an illustrated format by prominent artists working in the fields of comics, book illustration, and fine arts.
So today I board the later , slower Matthew J. Hughes to do just that , fetch the burgeoning language . At the moment , the sun at stern , David's latest postcard , a Tapies collage sent from Barcelona marking the page I was reading ...
Laura Ingalls Wilder shares her vision of the fanciful, ethereal, and mischievous world of the "Little People" in this first-ever collection of fairy poems she wrote in 1915.
And not the least of this book's disconcerting, but strangely salutary, powers is that, under its stimulus, you can't help starting back.
Selected Poems: in Five Sets
This book also makes available a full index of poem titles to assist scholars, students, and critics in finding and contextualizing Gilman's poetry.