The legendary punk and new wave alternative weekly magazine Slashwas founded in Los Angeles in 1977 by Steve Samiof, and published a total of 29 print issues before its demise in 1980 (though it had a second life as the punk label Slash Records, which was eventually bought by Warner Bros. Records in 1999). In its brief run, Slashdefined the punk subculture in Los Angeles and beyond with the comic strip Jimboby Gary Panter and photographs by Melanie Nissen, the cofounding publisher and longtime photo editor. Writing by Jeffrey Lee Pierce, Chris D., Pleasant Gehman and Claude “Kickboy Face” Bessy explored reggae, blues and rockabilly in addition to punk and new wave. Slashdiagnosed the nascent punk scene’s challenge to the music industry and established its own oppositional voice in the editorial of its very first issue, staking a position against disco, Elvis and concept albums, and declaring: “Enough is enough, partner! About time we squeezed the pus out and sent the filthy rich old farts of rock ’n’ roll to retirement homes in Florida where they belong.” Slash: A Punk Magazine From Los Angeles, 1977–80pays homage to the magazine’s legacy with facsimile reproductions of every cover from the publication’s run and reprints of some of the magazine’s best articles and interviews. These are interspersed with new essays, reportage and oral histories from Exene Cervenka, KK Barrett, Gary Panter, Vivien Goldman, Richard Meltzer, Cali Thornhill DeWitt, Chris D., Bryan Ray Turcotte, Chris Morris, Ann Summa and Allan MacDowell, among others, telling the story of this critical chapter in the history of American media.
Global Punk: Resistance and Rebellion in Everyday Life
从纽约肇始,有着丰富的文化背景,后来却被严重狭隘化的朋克运动,也是20世纪最杰出的文化撼动之一。这一撼动质朴本性的表征 ...
Between 1975 and 1979, the searingly truthful music of the Sex Pistols encouraged a generation to confront boredom and reinvent life through music.
Presents a history of punk, introduces influential people, and explores how punk influences modern music and artists.
He wound up at the heart of New York City's early punk rock scene, from 1972 to 1982. This is his intimate, often hilarious of the start of the punk rock era.
Foreword -- Introduction -- Barney Bubbles -- Peter Saville -- Jamie Reid -- Fanzines -- Arturo Vega -- Acknowlegments -- Catalogue checklist.
Fashion, music and clubbing would never be the same again. It was the birth of street fashion, style magazines and futuristic synth pop. Graham Smith was at the centre of this creative cult.
Featuring classics bands such as The Ramones, The Sex Pistols, The Damned and The Clash, this book is a comprehensive review of punk flyers, posters and artworks.
A first-hand account of life as a punk in the streets of Los Angeles, the gangs that stuck together for unity, solidarity, and what little they had to fight for, is a powerful and unsung testimonial, well worth reading.
Die subkulturellen Symbole der Punks: eine empirische Untersuchung