This landmark publication brings North American Indigenous art to the fore with the presentation of 280 objects from the culturally and aesthetically rich collection of the Nelson-Atkins Museum of Art. More than two-thirds of the volume's featured works--paintings, sculptures, drawings, regalia, ceramics, textiles, and baskets--have never before appeared in publication. These profound artistic achievements represent the traditions of Native cultures across the US and Canada in a continuum of visual expression from pre-encounter to the present. W. Richard West, Jr., President and CEO of the Autry Museum of the American West and Founding Director and Director Emeritus of the Smithsonian's National Museum of the American Indian, opens the book with a compelling essay contrasting Western and Indigenous understandings of Native art. In a second essay, Curator of American Art Stephanie Fox Knappe contextualizes the voices of twenty-two contemporary artists. Full-page detail images of the artist's works are included. The inspired vision underlying the collection and this publication is articulated by Curator of Native American Art Gaylord Torrence, who traces the evolution of the Nelson-Atkins holdings and their significant expansion since 2001. He also provides an overview of the traditions of seven geographical regions and offers a framework for engaging with these remarkable works. New voices, fresh perspectives, and masterworks certain to find their place in the canon of Native American art history combine in an enlightening and important survey.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...