In the early 2000s, Chicago-based artist Julie Weber worked as a photo technician for a popular retail chain. The first wave of digital printers was making its way to one-hour photo-counters across the country. Dye-sublimination printers, which use heat to transfer dyes to high gloss photo paper, became common as stores endeavored to keep up with the changing consumer tide from film to digital. The printer ribbon consists of a spool of thin polyester coated in repeating blocks of cyan, magenta, and yellow dyes. The dyes transfer to the paper, layering to form a whole, color photograph. Each image sent to the printer leaves behind three impressions on the ribbon, one for each color, analogous to film negatives. When a ribbon reaches its printing capacity, it is full of image remnants. Weber created the imagery for Remnants by layering, folding, rolling, and creasing this cellophane-like material into new configurations. On one side, twelve individual images are presented. On the other side, the twelve pieces can be arranged to form a single, composite image.
Exploring geography, cartography, history, and travel, The Great Lakes of North America is a visual examination of the Great Lakes region.
A collection of short stories authored by writers who live and work in North East England. This book seeks to explore the creative impulses of writers from this region.
I know from my mother's few words and angry silences on the topic , that she thinks Papaw Harry was a cruel man . It is a very sad story , even the little I know . It is too much to bear . That's why he talked to me endlessly in the ...
The beautiful Drink and Draw book with a different insert cover image by Dave Johnson, and a bound in signature plate signed by all four Drink and Drawers—Dave Johnson, Dan Panosian, Jeff Johnson, and Brad Vancata—and limited to only ...
As We Proceed
In Love with Beauty offers an unprecedented chronological overview of the legendary Walter Pfeiffer, spanning four decades of photographic eroticism and wit, classical serenity and ornamental playfulness, artifice and immediacy.
The Three Critiques of Immanuel Kant
The texts are mostly in English, the language Jorn and de Jong usually used together, though some are in French, Danish, Dutch or German. Wordplay is prevalent, sometimes referring to James Joyce's Finnegans Wake.
"The freestanding bookworks investigate the foundations upon which language and grammar are built.
Fuck Irony