The scale of the Great Irish Famine, and the horror of it, were unprecedented. It permeated everything, the traces of which remain to this day. But the visual dimensions of the loss of life and the erosions of language and culture remained unaddressed until Quinnipiac University opened Ireland's Great Hunger Museum in 2012, to considerable acclaim. As a largely invisible trauma whose consequences were intrinsic to the subsequent development of Ireland - no less than the United States - the museum collects and displays images and supporting documentation that address both the lacunae and interconnections in representations of the Great Hunger in Irish and diasporic history, culture, and memory.Now, mindful of the suffering of so many, a large number of whom nonetheless went on to contribute so much to America, Quinnipiac University brings its collection home, to share with the people of Ireland. Coming Home: Art and the Great Hunger is an important act of cultural reconnection with Ireland's past and living diaspora, and is a major cultural, educational, and tourist event of local, national, and international interest.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...