Catalog to accompany the exhibition Libby Wadsworth: Always InFormation. Observing, processing, experimenting, arranging: Libby Wadsworth has been busy in her Eugene studio over the last year. Her practice spans multiple media, including letterpress printmaking, painting, and photography, in which she teases open written language with her thoughtfully composed visual arrangements. Always InFormation presents new work created almost entirely during the COVID-19 pandemic that demonstrates Wadsworth's evolving interest in blurring the distinctions between text and image. Handset letters of the alphabet operate as aesthetic objects as they float, break apart, or recede into space. Our eyes receive the information, but are we viewers, or readers?Working in series, Wadsworth subtly presents different moments of investigation and contemplation: in fractures, one of several bodies of work created during this time of collective crisis and social distancing, selected words and pairings dance around shards of a broken teacup. Her latest oil paintings on canvas set text, still life objects, and natural motifs into action, as drips and layers of paint frame stenciled letters. Throughout Always InFormation, Wadsworth finds both the tension and the beauty that exists in our present moment and the spaces "in between" our words and experiences. This exhibition and an accompanying catalog are made possible by the Hartz FUNd for Contemporary Art.
Williams College: The Campus Guide, with newly commissioned color photography and axonometric color maps to engage visitors, students, and alumni, is the newest edition to the acclaimed Campus Guide series of American colleges and ...
... San Francisco, CA ONE PERSON EXHIBITIONS (selected) 2005 “Revenants,” Gail Severn Gallery, Ketchum, ID 2004 John Berggruen Gallery, San Francisco, CA 2004 “Icons,” Nancy Hoffman Gallery, New York, NY 2003 “Michael Gregory, ...
Collected Poems (London: Faber & Faber, 1947). Schweizer, Bernard, and Charles Thorne. “Introduction,” in Rebecca West, The Return of the Soldier, eds. Bernard Schweizer and Charles Thorne (Peterborough, Ont.: Broadview, 2010), 11–34.
In “Bad” Mothers: The Politics of Blame in Twentieth-Century America, edited by Molly Ladd-Taylor and Lauri Umansky, 169 – 90. New York: New York University Press, ... Warner, Kristen J. The Cultural Politics of Colorblind tv Casting.
My deepest gratitude and love to Tess , Cole , and , above all , my wife , Libby Wadsworth , who has , throughout this long and often arduous process , shown her characteristic good humor , common sense , and commitment .
... The Yellow Paper by Libby Wadsworth Page 12 Designer : John K. Wheatman Page 14 Oaxacan Monastery by David Wakely Pages 16-17 Designer : Siobhàn Brennan ; Scissors chairs by Ward Bennett ; Lighting by Phoenix Day , Cassella Lighting ...