The Routledge Companion to Performance Practitioners collects the outstanding biographical and production overviews of key theatre practitioners first featured in the popular Routledge Performance Practitioners series of guidebooks. Each of the chapters is written by an expert on a particular figure, from Stanislavsky and Brecht to Laban and Decroux, and places their work in its social and historical context. Summaries and analyses of their key productions indicate how each practitioner's theoretical approaches to performance and the performer were manifested in practice. All 22 practitioners from the original series are represented, with this volume covering those born before the end of the First World War. This is the definitive first step for students, scholars and practitioners hoping to acquaint themselves with the leading names in performance, or deepen their knowledge of these seminal figures.
This is the definitive first step for students, scholars and practitioners hoping to acquaint themselves with the leading names in performance, or deepen their knowledge of these seminal figures.
Bentley, Eric (1950) 'Copeau and the Chimera', Theatre Arts, January, 34: 1, 48–51. ... (2008) Jacques Copeau's Friends and Disciples: The Théâtre du VieuxColombier in New York City, 1917–1919, New York: Peter Lang.
Their project Target Deception is about military research into biological weapons. During the performance of Target Deception in Leipzig in 2007,2 Steve Kurtz, a member of Critical Art Ensemble, stated in front of a camera that he was ...
This section explores performances that prefer the space of the kitchen, classroom, club, or field. This book engages a wide audience of scholars, students, and theatre practitioners with its unprecedented breadth.
The word dozoku (土俗) might be translated into English as “folk,” “local,” or “local customs.” However, the Japanese language already has the word minzoku (民俗), which has a nuance closer to “folk,” and a homonym minzoku (民族), ...
These volumes offer insights from within and beyond the sphere of English-speaking scholarship, curated by regional experts in applied performance.
American Puppet Modernism: Essays on the Material World in Performance (Bell 2008) examines US puppetry from the past 150 years; Handspring Puppet Company (Taylor 2009) pro- vides a revelatory view of a South African company; ...
Its comprehensive scale and global reach make this volume an essential companion for students, instructors and researchers in sport science, sport and exercise psychology, psychology, and physical education.
Performance art about racism, feminism, ableism, and other modes of oppression is typically produced by artists who ... Again, this raises questions about the ally's power to frame the work of marginalised artists in such festivals, ...
His first inspiration, physical trainer Jean-Marie Conty, had been friends with Artaud and Barrault, and was interested in the connection between physical training for sport and its possible implications for theatre. Later, Copeau's ...