The Business of American Theatre is a research guide to the history of producing theatre in the United States. Covering a wide range of subjects, the book explores how traditions of investment, marketing, labor union contracts, advertising, leasing arrangements, ticket scalping, zoning ordinances, royalties, and numerous other financial transactions have influenced the art of theatre for the past three centuries. Yet the book is not a dry reiteration of hits and flops, bankruptcies and bamboozles. Nor does it cover "everything about it that's appealing, everything the traffic will allow" (as Irving Berlin did in the song "There's No Business Like Show Business"). It is instead a highly readable resource for anyone interested in how money, and how much money, is critical to the art and artists of theatre. Many of those artists make appearances in the book: Richard Rodgers and his keen eye for investment, Jacob Shubert and his construction of "the bridge of thighs" for his showgirls at the Winter Garden, the significance of the Disney Souvenir Shop near the Lyceum Theatre on Broadway, and the difference between a Broadway show losing millions of dollars or making billions in one night. Consider this book a go-to resource for readers, students, and scholars of the theatre business.
The book is filled with tributes, memories, anecdotes and other insights that connect past to present and make this volume an instant "must have" for anyone who adores the theatre.
The authors appreciate the support of the University of South Carolina Press and especially its then–assistant director for operations, Linda Haines Fogle. Ms. Fogle was a student of Jim Patterson some undisclosed number of years ago, ...
Offering an overview of the evolution of American theatre and behind-the-scenes stories of the regional movement, this single volume is an indispensable tool at every stage of your career.
For the professional and student here is a basic guide to raising money, obtaining rights and bringing a play to the stage. Appendices include actual examples of commonly used legal...
The Business of the Theatre: An Economic History of the American Theatre, 1750-1932
This comprehensive work is truly the first textbook in the field of dramaturgy. Most of the material-much of it by leaders in all areas of the theater-was commissioned for this...
The production was Steppenwolf's staging of Sam Shepard's True West, the first show Steppenwolf brought to New York. At intermission we scrambled through the program, asking, “Who are these two incredible actors?
Nathan Hurwitz uses these factors to explain the output of each decade in turn, showing how the most popular productions spoke directly to the audiences of the time.
Outraged , Bray and Barnett filed a discrimination lawsuit against the Seattle Rep , citing Title VI of the 1964 Civil Rights Act , which forbade giving federal funds to any institution that practiced discrimination in their hiring ...
Larson, 147 F.3d 195(2nd Cir. 1998) (involved a nonprofit theatre that workshopped new plays where a dramaturg Lynn Thomson developed a work with writer Jonathan Larson). To name just a few articles that examine joint works and the ...