This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, it challenges long-standing teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests. The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures: namely, the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German, and German-oriented, thinkers examine aesthetic experience and moral concerns, and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others. This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic.
Providing a gateway to a new history of modern aesthetics, this book challenges conventional views of how art's significance developed in society.
Offers a comprehensive account of British aesthetics from the early eighteenth century to the late twentieth century in Britain and beyond.
... philosophy were the very part most necessary to proscribe. He sought the principal causes of our errors in those abstractions ... Women and Philosophy in Eighteenth-Century Germany (Dyck 2021), and the book series Oxford New Histories of ...
... eighteenth century and Winckelmann's place therein , see Frederick Beiser , Diotima's Children : Aesthetic Rationalism ... Autonomy of Art , " in Beyond Autonomy in Eighteenth- Century British and German Aesthetics , ed . Karl Axelsson ...
... Clare's Lyric : John Clare and Three Modern Poets ( Oxford : Oxford University Press , 2014 ) , 2 , 7 . 82 Derek ... Clare's Lyric , 40 . 83 White , letter to Barker , March 30 , 1775 , 106 . 84 Weiner , Clare's Lyric , 30. White himself ...
Robb Dunphy, Toby Lovat. Routledge Studies in Eighteenth - Century Philosophy Beyond Autonomy in Eighteenth - Century British and German Aesthetics Edited by Karl Axelsson , Camilla Flodin , and Mattias Pirholt Kant's Critical ...
Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1985.
Fichte's Social and Political Philosophy (2011), Rousseau and German Idealism (2013), Fichte's Republic (2015), coeditor (with Günter Zöller) of The Cambridge Companion to Fichte (2016), and editor of the Book Hegel's Elements of the ...
... Beyond Autonomy in Eighteenth-Century British and German Aesthetics Edited by Karl Axelsson, Camilla Flodin, and ... Eighteenth-Century German Philosophy Edited by Karin de Boer and Tinca Prunea-Brettonet Human Dignity and the Kingdom of ...
Tiedemann, P. (2012) Menschenwürde als Rechtsbegriff. Eine Philosophische Klärung. 3rd Edition. Berlin: BWV. Van der Rijt, J. (2009) 'Republican dignity: The importance of taking offence.' Law and Philosophy 28, No. 5, pp. 465–92.