In this book, Gregory Salter traces how artists represented home and masculinities in the period of social and personal reconstruction after the Second World War in Britain. Salter considers home as an unstable entity at this historical moment, imbued with the optimism and hopes of post-war recovery while continuing to resonate with the memories and traumas of wartime. Artists examined in the book include John Bratby, Francis Bacon, Keith Vaughan, Francis Newton Souza and Victor Pasmore. Case studies featured range from the nuclear family and the body, to the nation. Combined, they present an argument that art enables an understanding of post-war reconstruction as a temporally unstable, long-term phenomenon which placed conceptions of home and masculinity at the heart of its aims. Art and Masculinity in Post-War Britain sheds new light on how the fluid concepts of society, nation, masculinity and home interacted and influenced each other at this critical period in history and will be of interest to anyone studying art history, anthropology, sociology, history and cultural and heritage studies.
A Study of 'Unconquerable Manhood' Gabriel Koureas ... Such hegemonic definitions of masculinity, reinforced by the memorials and the unveiling ceremonies were directly aimed at ... McLaren, Angus, The Trials of Masculinity.
The essays collected in Posting the Male examine representations of masculinity in post-war and contemporary British literature, focussing on the works of writers as diverse as John Osborne, Joe Orton, James Kelman, Ian Rankin, Carol Ann ...
The essays in this collection examine the relationship between health and stress in post-war Britain through a series of carefully connected case studies.
This book presents an analysis of representations of white, heterosexual, working-class masculinities in British culture between 1945 and 1989 to trace the development of the sociocultural and material conditions that shaped the ...
Examines the construction of images of masculinity and the effect they have on identity, sexuality and sexual politics. Influences from black and white culture are explored as well as the ironies of class, colour and sexuality.
This book is an innovative collection of original research which analyzes the many varieties of post-conflict masculinity.
This book sets the visual arts in the social and political context of these complex years.Margaret Garlake establishes the intellectual, historical, and organizational frameworks within which art was made and received by critics and the ...
They assume an understanding that works of art are embedded in their social contexts, are products of the conditions under which they were produced, and that these contexts and conditions are complex, fluid and imbricated in one another.
The history of men's needlework has long been considered a taboo subject. This is the first book ever published to document and critically interrogate a range of needlework made by men.
'War, Espionage, and Masculinity in British Fiction' explores the masculinities represented in British works spanning more than a century.