Charles Sheeler was the stark poet of the machine age. Photographer of the Ford Motor Company and founder of the painting movement Precisionism, he is remembered as a promoter of - and apologist for - the industrialised capitalist ethic. This major new rethink of one of the key figures of American modernism argues that Sheeler's true relationship to progress was in fact highly negative, his 'precisionism' both skewed and imprecise. Covering the entire oeuvre from photography to painting and drawing attention to the inconsistencies, curiosities and 'puzzles' embedded in Sheeler's work, Rawlinson reveals a profound critique of the processes of rationalisation and the conditions of modernity. The book argues finally for a re-evaluation of Sheeler's often dismissed late work which, it suggests, may only be understood through a radical shift in our understanding of the work of this prominent figure.
Charles Sheeler Prints: A Catalogue Raisonne ́
Presents Sheeler's photographic artworks, including architectural shots, still lifes, nudes, and nature photographs
Charles Sheeler in Doylestown investigates one artist's lifelong engagement with the rich, distinctive traditions of rural Bucks County, Pennsylvania. It charts Sheeler's discovery of the region's architecture and artifacts beginning...
Van Wyck Brooks wrote in 1918 that Americans were especially vulnerable to ' the universally externalizing influences of modern industrialism ' . 146 The American mind , he felt , ' has had no barriers to throw up against the ...
Charles Sheeler: The Photographs
Essays by leading authorities on the artist's work accompany a stunning collection of nearly two hundred photographs by modernist American photographer Charles Sheeler, offering a landmark retrospective of of the work of the influential ...
Charles Sheeler
Charles Sheeler, American Interiors
Charles Sheeler Paintings and Drawings