This is the first collection of essays since George Sherburn’s landmark monograph The Early Career of Alexander Pope (1934) to reconsider how the most important and influential poet of eighteenth-century Britain fashioned his early career. The volume covers Pope’s writings from across the reign of Queen Anne and just beyond. It focuses, in particular, on his interaction with the courtly culture constellated round the Queen. It examines, for instance, his representations of Queen Anne herself, his portrayals of politics and patronage under her reign, his negotiations with current literary theory, with the classical tradition, with chronologically distant yet also contemporaneous English poets, with current thought on the passions, and with membership of a religious minority. In doing so, it comprehensively reconsiders anew the ways in which Pope, increasingly supportive of Anne’s rule and mindful of the Virgilian rota, sought at first to realise his authorial aspirations.
E. P. Thompson, Whigs and Hunters: The Origins of the Black Act (New York: Pantheon Books,1975) Ben Jonson, ed. C. H. Herford, and P. and E. Simpson, 11 vols. (Oxford: Clarendon Press,1925–32). Swift's Journal to Stella, ed. H. Williams ...
Rousseau, G. S. “Medicine and the Muses: An Approach to Literature and Medicine.” In Literature and Medicine ... In Paula R. Backscheider, Probability, Time, and Space in Eighteenth-Century Literature (New York: AMS, 1979), 214–47.
Through the course of book he also explores the literary explosion that occurred during this period as writers like Alexander Pope and Jonathan Swift wrote their greatest works.
This book sheds fresh light on canonical authors such as Daniel Defoe, Alexander Pope, and Joseph Addison by setting their writing alongside the work of lesser known but nonetheless important figures such as John Tutchin, William Pittis, ...
Explores Alexander Pope's early career as a literary author, and provides a transformative account of the eighteenth century poet.
Pope's poetry thus deepened with the course of time, and the third period of his life, which fell within the reign of George II., was that in which he produced the "Essay on Man," the "Moral Essays," and the "Satires.
The explanation he offers, however, is obscure and implausible: But that Roger of York, For so pious a Work Her Parts ... but the balladeer probably means to draw John Sharp, the current ToryArchbishop ofYork and a favorite of the queen ...
... English Women's Poetry, 1649–1714, p. 92. 36. Hero Chalmers, Royalist Women Writers, 1650–1689 (Oxford: Oxford University Press, 2004), p. 63. 37. Ibid., p. 104. 38. Paulina Kewes, '“The State Is out of Tune”: Nicholas Rowe's “Jane ...
... Queen' (160ff.). Until almost the end of Queen Anne's reign there was less unrest in England than there had been under William who, as well as dragging his adopted country into expensive wars, was personally unpopular. Pope makes the ...
( iii ) Mercury , rainbows , and eggs Jonson's Mercury Vindicated has the alchemical Mercurius as one of its main antimasque characters.22 In Dunciad B ( I. 37 ff . ) Pope laments the ephemeral monstrosities that ' escape ' from ' Bards ...