International in scope, this volume brings together leading and emerging voices working at the intersection of contemporary art, visual culture, activism, and climate change, and addresses key questions, such as: why and how do art and visual culture, and their ethics and values, matter with regard to a world increasingly shaped by climate breakdown? Foregrounding a decolonial and climate-justice-based approach, this book joins efforts within the environmental humanities in seeking to widen considerations of climate change as it intersects with social, political, and cultural realms. It simultaneously expands the nascent branches of ecocritical art history and visual culture, and builds toward the advancement of a robust and critical interdisciplinarity appropriate to the complex entanglements of climate change. This book will be of special interest to scholars and practitioners of contemporary art and visual culture, environmental studies, cultural geography, and political ecology.
Notes 1 4 A visual timeline comparing the history of public art in the United Kingdom and the United States can ... 'A Collective Timeline of Socially Engaged Public Art Practice 1950–2015', in The Everyday Practice of Public Art, ed.
This includes work by leading scholars, artists, scientists and practitioners in the field of visual culture.
By contrast, Anne Noble's photography reworks contemporary images of Antarctica to examine the way gender is implicated in how tourists see modern Antarctica as narrated through the lens of white male polar exploration and photography, ...
18 Smith, European Vision and the South Pacific, 28. 19 Quoted in Smith, European Vision and the South Pacific, 113. 20 Susie Bioletti, Ranson Davey and Rose Peel, “'Les Sauvages de la Mer Pacifique,' Made in Mâcon: Investigations into ...
... Art, Berkeley: University California Press. Rugg, J. and Sedgwick, M. (2007) Issues in Curating Contemporary Art and Performance, Bristol: Intellect Books. Smith, T. (2012) Thinking Contemporary Curating, New York: Independent Curators ...
Organized into three sections, this work first reviews the history and theory of the visual arts since 1980 and introduces readers to the emerging area of scholarship that seeks to place contemporary art in a global framework.
The book is a resource for multiple fields, including art activism, socially engaged art, and contemporary art, that represent the depth and breadth of contemporary activist art worldwide.
Specifically, this book provides arts-engaged, intersectional understandings of decolonization in the contemporary art world that cross disciplinary lines.
In Beyond the World's End T. J. Demos explores cultural practices that provide radical propositions for living in a world beset by environmental and political crises.
Essential for an in-depth understanding and discussion of expressionism, this volume opens up new perspectives on developments in the visual arts of this period and challenges the traditional narratives that have predominantly focused on ...