This broad-based collection of essays is an introduction both to the concerns of contemporary folklore scholarship and to the variety of forms that folk performance has taken throughout English history. Combining case studies of specific folk practices with discussion of the various different lenses through which they have been viewed since becoming the subject of concerted study in Victorian times, this book builds on the latest work in an ever-growing body of contemporary folklore scholarship. Many of the contributing scholars are also practicing performers and bring experience and understanding of performance to their analyses and critiques. Chapters range across the spectrum of folk song, music, drama and dance, but maintain a focus on the key defining characteristics of folk performance – custom and tradition – in a full range of performances, from carol singing and sword dancing to playground rhymes and mummers' plays. As well as being an essential reference for folklorists and scholars of traditional performance and local history, this is a valuable resource for readers in all disciplines of dance, drama, song and music whose work coincides with English folk traditions.
THE ROUTLEDGE COMPANION TO PERFORMANCE PRACTITIONERS Edited by Franc Chamberlain and Bernadette Sweeney THE ROUTLEDGE ... COMPANION TO APPLIED PERFORMANCE Edited by Tim Prentki and Ananda Breed THE ROUTLEDGE COMPANION TO ENGLISH FOLK ...
Shifting Paradigms in Early English Drama Studies Philip Butterworth Peter Harrop ... His most recent publications are Mummers' Plays Revisited, (2020) and The Routledge Companion to English Folk Performance (with Steve Roud), (2021).
This book considers how that happened, and the ways in which these late 19th century ideas were absorbed into the mummers' plays, providing a new lease of life for them in the 20th and 21st centuries.
The word dozoku (土俗) might be translated into English as “folk,” “local,” or “local customs.” However, the Japanese language already has the word minzoku (民俗), which has a nuance closer to “folk,” and a homonym minzoku (民族), ...
This collection will be of interest to students and researchers of pedagogy, choreography, community dance practice, theatre and performance studies, social and cultural studies, aesthetics, interdisciplinary arts, and more.
American Puppet Modernism: Essays on the Material World in Performance (Bell 2008) examines US puppetry from the past 150 years; Handspring Puppet Company (Taylor 2009) pro- vides a revelatory view of a South African company; ...
The composer is creating a work of art, whose performances may vary, but which is the single vehicle of an ... be no other explanation of artful melodies such as the English folk song “Lovely Joan” or the Tudor Court song “Greensleeves ...
... de AfroAçorianidade (260 Years of Afro-Azorean-ness), which was sponsored by the Lei de Incentivo à Cultura do RS ... e Morro Alto” (Little Beach and High Hill); “Galpão açoriano” (Azorean shed); and “Lobo do Mar” (Wolf of the Sea).
Children's home musical experiences across the world. Bloomington, IN: Indiana University Press. Joseph, D., & Trinick, R. (2016). Promoting cultural understandings through song across the Tasman: Pre-service primary teacher education.
The Broadview Anthology of 19C British Performance. Peterborough: Broadview. Davis-Fisch, Heather. 2012. Loss and Cultural Remains in Performance: The Ghosts of the Franklin Expedition. New York: Palgrave. ... The Souls of Black Folk.