Shakespeare and Civil Unrest in Britain and the United States extends the growing body of scholarship on Shakespeare’s appropriation by examining how the plays have been invoked during periods of extreme social, political, and racial turmoil. How do the ways that Shakespeare is adapted, studied, and discussed during periods of civil conflict differ from wars between nations? And how have these conflicts, in turn, affected how Shakespeare has been understood in these two countries that, more than any others, continue to be deeply shaped by Shakespeare’s complex, enduring, and multivalent legacy? The essays in this volume collectively disclose a fascinating genealogy of how Shakespeare became a dynamic presence in factional discourse and explore the "war of words" that has accompanied civil wars and other instances of domestic disturbance. Whether as part of violent confrontations, mutinies, rebellions, or within the universal struggle for civil rights, Shakespeare’s repeated appearance during such turbulent moments is more than mere historical coincidence. Rather, its inflections on the contested meanings of citizenship, community, and political legitimacy demonstrate the generative influence of the plays on our understanding of internecine strife in both countries.
One of the bloodiest incidents in New York’s history, the so-called Astor Place Riot of May 10, 1849, was ignited by a long-simmering grudge match between the two leading Shakespearean...
That sublimating ambiguity has received different names: Rabkin and Jonathan Bate, for example; both appropriated the jargon of physics to refer to it respectively as “complementarity” (Rabkin, 1967, pp. 20–6) and “aspectuality” (Bate, ...
Bate, Jonathan, ed. (1992) The Romantics on Shakespeare. London: Penguin. Bate, Jonathan. (1997) The Genius of Shakespeare. London: Picador. Bayley, John. (1975) “Time and the Trojans”. Essays in Criticism, 25(1): 55–73. Boethius.
The Shakespearean Roots of Marxism Christian A. Smith. Routledge. Studies. in. Shakespeare. Shakespeare's Sublime Ethos Matter, Stage, Form Jonathan P. A. Sell Shakespeare's Sublime Pathos Person, Audience, Language Jonathan P. A. Sell ...
Shakespeare, William. As You Like It. Edited by Juliet Dusinberre. London: Bloomsbury Arden Shakespeare, 2013. Shakespeare, William. ... Stellar, Jennifer E., Amie M. Gordon, Paul K. Piff, Daniel Cordaro, Craig L. Anderson, Yang Bai, ...
The Reformation of Emotions in the Age of Shakespeare. Chicago, IL: University of Chicago ... Distracted Subjects: Madness and Gender in Shakespeare and Early Modern Culture. ... Time, Narrative, and Emotion in Early Modern England.
For instance, Emma Smith's account of the “first recorded purchaser” of the 1623 Folio implicitly profiles the “self-fashioning” Edward Dering as a fan of the early modern theater, noting that Dering's “account books covering the period ...
Shakespeare’s Returning Warriors – and Ours takes its primary inspiration from the contemporary U.S. Post-Traumatic Stress Disorder (PTSD) crisis in soldiers transitioning from battlefields back into society.
This volume presents a fresh look at the military spouses in Shakespeare’s Othello, 1 Henry IV, Julius Caesar, Troilus and Cressida, Macbeth, and Coriolanus, vital to understanding the plays themselves.
Routledge Studies in Shakespeare Rasa eory in Shakespearian Tragedies Swapna Koshy Shakespeare's Audiences Edited ... Locke Hart Shakespeare's Sublime Ethos Ma er, Stage, Form Jonathan P. A. Sell Shakespeare's Sublime Pathos Person, ...