Publishing its nineteenth volume, The Shakespearean International Yearbook surveys the present state of Shakespeare studies, addressing issues that are fundamental to our interpretive encounter with Shakespeare’s work and his time, across the whole spectrum of his literary output. Contributions are solicited from scholars across the field, from both hemispheres of the globe. New trends are evaluated from the point of view of established scholarship, and emerging work in the field is encouraged. Each issue includes a special section under the guidance of a specialist Guest Editor, along with coverage of the current state of the field in other aspects. An essential reference tool for scholars of early modern literature and culture, this annual publication captures, from year to year, current and developing thought in Shakespeare scholarship and theater practice worldwide. There is a particular emphasis on Shakespeare studies in global contexts.
... Yearbook . Vol . 3. Edited by Graham Bradshaw , Tom Bishop , John M. Mucciolo , and Angus Fletcher , 329–35 . London : Ashgate , 2003 . Kishi , Tetsuo , and Graham Bradshaw . Shakespeare in 288 THE SHAKESPEAREAN INTERNATIONAL YEARBOOK : 7.
... Shakespeare might differently matter. The rest ofthis essay concerns itself with Macbeth's place in that different mattering. POSTHUMANIST MOTIFS IN MACBETH It iscurious that Macbeth does not figure very muchin Posthumanist Shakespeares ...
for this reason that I would like to propose a possible new methodology for approaching the study of Shakespeare ... heroic attempt to archive the present cultural proliferation and fragmentation of Shakespeare in mass culture.7 It is ...
J.E. Neale , ' The Elizabethan Acts of Supremacy and Uniformity ' , English Historical Review LXV ( 1950 ) , pp . ... Lords and Commons , 1485–1603 ( London : Longman , 1985 ) ; M.A.R. Graves , Elizabethan Parliaments , 1559–1601 ...
2 (2006): 208. 35. David Schalkwyk, Speech and Performance in Shakespeare's Sonnets and Plays (Cambridge: Cambridge University Press, 2002), 32; cf. 50f., 1 1 If., 214. M. Worthen, Shakespeare and the Authority of Performance, esp.
This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and ...
35 Clare Carroll, Circe's Cup: Cultural Tranformations in Early Modern Writing about Ireland (Cork: Cork University Press, 2001), 17-18. 36 Important exceptions to this rule are Christopher Highley, Shakespeare, Spenser, and the Crisis ...
The volume concludes with an Afterword by Michael Neill. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies across the world.
Kozintsev's King Lear was screened at the World Shakespeare Congress in Vancouver in 1971, and the director, ... recent example is Courtney Lehmann's long essay “Grigori Kozintsev,” in Welles, Kurosawa, Kozintsev, Zeffirelli, eds.
Alexander Huang, "Global Shakespeare 2.0 and the Task of the Performance Archive," Shakespeare Survey 64 (2011): 38-51. ... Petersen, Lene B. Shakespeare's Errant Texts: Textual Form and Linguistic Style in Shakespearean "Bad" Quartos ...