Now in its fifth edition, this popular A–Z student reference book provides a comprehensive survey of key ideas and concepts in popular music culture, examining the social and cultural aspects of popular music. Fully revised with extended coverage of the music industries, sociological concepts and additional references to reading, listening and viewing throughout, the new edition expands on the foundations of popular music culture, tracing the impact of digital technology and changes in the way in which music is created, manufactured, marketed and consumed. The concept of metagenres remains a central part of the book: these are historically, socially, and geographically situated umbrella musical categories, each embracing a wide range of associated genres and subgenres. New or expanded entries include: Charts, Digital music culture, Country music, Education, Ethnicity, Race, Gender, Grime, Heritage, History, Indie, Synth pop, Policy, Punk rock and Streaming. Popular Music Culture: The Key Concepts is an essential reference tool for students studying the social and cultural dimensions of popular music.
Explores the history and meaning of rock and popular music.
Holt, F. (2007) Genre in Popular Music, Chicago and London: University of Chicago Press. Hoskyns, B. (ed.) (2004) Into the Void: Ozzy Osbourne and Black Sabbath. A Rock's Backpages Reader, London and New York: Omnibus Press.
Reflecting the continued proliferation of popular music studies, the new music industry in a digital age, and the emergence of new stars, this new edition has been reorganized and extensively updated throughout, making for a more coherent ...
With 'Key Concepts in Popular Music', Roy Shuker presents a comprehensive A-Z glossary of the main terms and concepts used in the study of popular music.
Taking into account recent changes and developments in the industry, this book outlines the key concepts, offers fresh perspectives and encourages readers to reflect on their own work.
With 'Key Concepts in Popular Music', Roy Shuker presents a comprehensive A-Z glossary of the main terms and concepts used in the study of popular music.
This book examines Japanese popular music, exploring its historical development, technology, business and production aspects, audiences, and language and culture.
This collection brings new voices and new perspectives to the study of popular—and particularly rock—music.
The boy band is a powerful example of Weber's (1922) second meaning of charisma: that is, mediated charisma – the management of mass responses of intoxication and devotion to essentially packaged agents of entertainment.
Identifying popular music as an important site in this wider cultural endeavor, this book focuses on the three major popular music cultures that are proving instrumental in attempts to invent Israeliness: the invented folk song repertoire ...