Drawing on rich archival research and focusing on works by leading artists including Guido Reni and Gian Lorenzo Bernini, Karen J. Lloyd demonstrates that cardinal nephews in seventeenth-century Rome – those nephews who were raised to the cardinalate as princes of the Church – used the arts to cultivate more than splendid social status. Through politically savvy frescos and emotionally evocative displays of paintings, sculptures, and curiosities, cardinal nephews aimed to define nepotism as good Catholic rule. Their commissions took advantage of their unique position close to the pope, embedding the defense of their role into the physical fabric of authority, from the storied vaults of the Vatican Palace to the sensuous garden villas that fused business and pleasure in the Eternal City. This book uncovers how cardinal nephews crafted a seductively potent dialogue on the nature of power, fuelling the development of innovative visual forms that championed themselves as the indispensable heart of papal politics. The book will be of interest to scholars working in art history, early modern studies, religious history, and political history.
Art and Identity in Early Modern Rome is the first book-length study to consider identity creation and artistic development in Rome during this period.
... patronage in and around the city of Rome, which did not begin in earnest until he became pope, blurred distinctions between the church and his own family. Indeed the frescoes ... Dynastic Ambition, and the Cultural Patronage of Sixtus IV 5.
Minou Schraven in Chapter 14 explores how Rome's splendid festive culture shaped the urban and social fabric, ... And as one of Europe's premier diplomatic hubs (as illuminated by Osborne), early modern Rome was a permanent theater for ...
This volume brings together some of the top scholars in the field, to investigate how sculptors in early modern Italy confronted such challenges as procurement of materials, their costs, shipping and transportation issues, and technical ...
Making the Invisible Visible through Art and Patronage Katherine A. McIver ... Imagery and Historical Invisibility: Antonia Torelli, Her Husband, and His Mistress in Fifteenth-Century Parma ̄1 (and an earlier version which I read), ...
S. Jansen, Anne of France: Lessons for my Daughter (Cambridge: DS Brewer, 2004), pp. 32¥3. 65. Beyond the Office of the Dead and the Mass for the Dead, Prestesaille included a translation of the 'In manus' prayer: "Sire en tes mains ie ...
... Artistic Sainthood and Memorials as a Second Life Tamara Smithers Art, Patronage, and Nepotism in Early Modern Rome Karen J. Lloyd Portraiture, Gender, and Power in Sixteenth-Century Art Creating and Promoting the Public Image of Early ...
Visual Culture in Early Modernity Series Editor: Kelley Di Dio, University of Vermont A forum for the critical ... The Art Of Enargeia Lynette M. F. Bosch The Procaccini and the Business of Painting in Early Modern Milan Angelo Lo Conte ...
Ho ricevuto la lettera di vostra signoria con molto gusto, nellaqualemi quanto al particolare nel quale mi domanda le parole della mia serenata, copiadiche io veramente desidererei di copia vedere un poco a una mandargliele, ...
John Marciari tells the story of the monuments, artists, and patrons of Renaissance Rome in this compelling book.