Cesar Grafla's work critically examines the continual rebirth of cultural romances on the part of literaiy Intellectuals. Grafia's disdain for contrived rejections of modernity and for grand destructive gestures is combined with his intense appreciation of the romantic sensibility. Fact and Symbol embodies Grafta’s views of the enterprise of cultural sociology in which both words are given equal play. This book consists of seven essays. Five shorter pieces on the relation of art to American democracy are bracketed by two long essays, the first on the literaiy critique of modern life, the last on Spanish American cultural nationalism. Among the temes covered throughout the book are attitudes prevalent during the post-romantic era, the French impressionists, art museums, the transformation of the industrial and commercial elite of America, and Spanish-American literary Utopians. In a new Introduction, written especially for this edition, Marc Galanter outlines Graiia’s ideas and explains what he was aiming to do when he originally wrote these essays. Fact and Symbol presents Graiia’s unique viewpoint and will be enjoyed by scholars of art and literature, as well as sociologists. One can well appreciate why this book was nominated for a National Book Award on its original release. It is a pioneering achievement in the sociology of culture.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...