"This book focuses on the role of La MaMa Experimental Theatre within Avant-garde theatre during the Sixties and Seventies. This study investigates the involvement of the Off-Off Broadway circuit in the Avant-garde experimentations both in the US (New York specifically) and in Europe. This exploration shows the two-way influence - between Europe and the US - testified by documents gathered in years of archival research. In this relevant artistic exchange, La MaMa (and Ellen Stewart as its founder and artistic director) emerges as a key element. La MaMa's companies brought to Europe the American culture and the New York underground culture, while their members learnt European training techniques by attending workshops or taking part in the research of Eugenio Barba, Jerzy Grotowski, and Peter Brook, and brought their principles back to the US. This book goes through a chronological path that presents some key cases of collaboration between the above-mentioned European masters and some La MaMa's artists and companies: Tom O 'Horgan and La MaMa Repertory Troupe, the Open Theatre, Andrei Serban and The Great Jones Repertory Company, La MaMa Plexus. This book will be of great interest to students and scholars in theatre and performance studies"--
Challenges established notions of the director's craft and disrupts conventional interpretations of "the canon"
The Black Circuit: Race, Performance, and Spectatorship in Black Popular Theatre presents the first book-length study of "Chitlin Circuit" theatre, the most popular and controversial form of black theatre to exist outside the purview of ...
An analysis of Black American drama includes examinations of the plays of writers, such as Amiri Baraka, James Baldwin, Ed Bullins, and Melvin Van Peebles
Harlem Renaissance Lives: From the African American National Biography. New York and Oxford: Oxford University Press, 2009. Gates, Henry Louis, Jr. “The Trope of a New Negro and the Reconstruction of the Image of the Black.
This second edition of Historical Dictionary of African American Theater reflects the rich history and representation of the black aesthetic and the significance of African American theater's history, fleeting present, and promise to the ...
THE STORY: Lewis is a tenured professor of mathematics at a well-regarded university.
Thomas L. Riis. early blackface minstrel tune , " Zip Coon , " with its unremitting dotted rhythms . Few , if any ... raccoon , whose meat was supposedly preferred by plantation slaves . " See " Coon Song , " The New Grove Dictionary of ...