Gateways to Understanding Music, Second Edition, explores music in all the categories that constitute contemporary musical experience: European classical, popular, jazz, and world music. Covering human music making from its oldest to its newest forms, this book presents music from a global rather than a Eurocentric perspective. Each of 60 Gateways addresses a particular genre, style, or period of music. Every Gateway opens with a guided listening example that unlocks a world of music through careful study of its structural elements. How did the piece come to be composed or performed? How did it respond to the social and cultural issues at the time, and what does that music means today? Students learn to listen to, explain, understand, and ultimately value all the music they encounter in their world. New to this edition are a broader selection of musical examples that reflect the values of diversity, equity, and inclusion. Eight Gateways are new. A timeline of Gateways helps students see the book's historical narrative at a glance. Features Values orientation--Diverse, equitable, and inclusive approach to music history. All genres of music--Presents all music as worthy of study, including classical, world, popular, and jazz. Global scope within a historical narrative--Begins with small-scale forager societies up to the present, with a shifting focus from global to European to American influences. Recurring themes: Aesthetics, emotion, social life, links to culture, politics, economics, and technology. Modular framework--60 Gateways--each with a listening example--allow flexibility to organize chronologically or by the seven themes Consistent structure--With the same step-by-step format, students learn through repeated practice how to listen and how to think about music. Anthology of scores - For those courses that use the textbook in a music history sequence. The book continues to employ a website to host the audio examples and instructor's resources.
CD-ROM contains composition notes and biographical notes selected from the text, and listening guides intended to be read while playing the selections.
Gcse Music Listening Exercises
The flute and piccolo are played by blowing across the edge of the mouth hole ( the recorder , a relative of the flute , has a " whistle " mouthpiece ) ; but the rest of the woodwinds have a reed — a thin piece of cane that is set ...
Experience Music
Haydn's history comes alive with two biographies: a succinct and vivid A Day in the Life narrative designed for all ages, and a longer entire-life biography well-told for older students (or anyone who wants to learn more).
ibid., p. 422. 383 "The Capriccio was to glitter . . .": Rimsky-Korsakov, My Musical Lifle, p. 244. 383 “Your Spanish Caprice is a colossal . ... Melvin Berger, Guide to Sonatas (New York: Doubleday, Anchor Books, 1991), p. 96.
初级音乐入门
本书追溯了西方音乐从第一种乐器——人声,到交响乐团的历史。贝多芬、莫扎特、肖邦、柴可夫斯基这些伟大的音乐家们的作品与他们的生平逸事有怎样的联系 ...
本书向入门者介绍了40部重要而又通俗的古典音乐名作,教你听什么、为什么听、买什么唱片;讲述古典艺术家——包括伊扎克·帕尔曼、范·克莱本、詹姆斯·高尔威对音乐作品的感受 ...
Music: The Expressive Art