A "novel of fashion in the digital age, The Knockoff is the story of Imogen Tate, editor-in-chief of Glossy magazine, who finds her twenty-something former assistant Eve Morton plotting to knock Imogen off her pedestal, take over her job, and reduce the magazine, famous for its lavish 768-page September issue, into an app"--Amazon.com.
Contends that creativity can thrive in the face of piracy, arguing that the imitation of great designs forces an industry to innovate more quickly, and looks at examples of areas in which the practice has been accepted.
As editor in chief of Glossy magazine, Imogen Tate is queen of the fashion world ... until Eve, her conniving twenty-something former assistant, returns from business school with plans to knock Imogen off her pedestal, take over her job, ...
The method proposed in this paper is based on the knockoff framework first proposed in [15] and later generalized in [16]. The knockoff framework provides a recipe for building algorithms to control for FDR in variable selection.
Travelling across the globe, Tim Phillips shows that counterfeiting isn't a victimless crime; it is an illegal global industry undermining the world's economies.
When fashion columnist Lacey Smithsonian learns that a new fashion museum will soon grace decidedly unfashionable D.C., it's more than a good story-it's a chance to show off her vintage Hugh Bentley suit.
They were Betsey Johnson Rosy peep - toe pumps , and the small flowers added just the perfect splash of color to complement my ensemble . I'd gotten them at auction on eBay , so after shipping and handling charges , I think I only ...
She felt the same urgent anticipation she'd felt as a teenager when she smoked a joint with Beau and went to go see a Pink Floyd show at the Charleston planetarium. Time became flexible from then on, and Janey couldn't grasp what was ...
That is, if she can only find him. Paul Mazzarella tells a discerning, nimble tale that illustrates the divergent effect a bag full of cash has on its flawed characters.
These stories are modern feminist fables for the reader who is decidedly uninterested in upholding the moral of the story as it's been traditionally told."--
This is to their detriment, the authors argue. Enhancing copyright law has not worked, largely because people subjected to it do not accept the social norms that the law implies.