A beautiful Pocket Poets hardcover selection of the most memorable and beloved lyrics of Stephen Sondheim. Stephen Sondheim has won seven Tonys, an Academy Award, seven Grammys, a Pulitzer Prize, and the Kennedy Center Honors. His career has spanned more than half a century and his lyrics have become synonymous with musical theater and popular culture. Editor Peter Gethers, working with Sondheim, has selected for this volume lyrics from across his career, drawn from shows including West Side Story, Gypsy, Company, Follies, A Little Night Music, Sweeney Todd, Sunday in the Park with George, and Into the Woods. The result is a delightful pocket-sized treasury of the best of Sondheim.
Presents a collection of lyrics from the composer, and offers insights into his creative process, relationships with other legends of American theater, experiences in the theater, collaborations, and most significant successes and failures.
Mommy on the Telephone (1961) (Birthday song for Mary Rodgers Beaty) By the time she was thirty, Mary was an exceptionally busy woman: she was raising three children (Todd, Nina and Kim) as well as writing children's books and songs and ...
Instead of the meandering of her first song this one takes on a calculated regularity of rhythm and rhyme that. like Poe's relentless tell-tale heart. drives Todd to the breaking point. In a rage. Todd reveals himself to be Barker and ...
A Piece That Sings Sweeney Todd is the only one of Sondheim's Broadway scores with a generic description other than " musical ” or “ musical comedy , " being subtitled “ a musical thriller . ” The thriller , defined by Chambers ...
Stephen Banfield, “Sondheim and the Art that Has No Name,” in Approaches to the American Musical, ed. Robert Lawson- Peebles (Exeter: University of Exeter Press, 1996), 143. 4. Stephen Sondheim, “Theater Lyrics,” in Playwrights, ...
This edition features the complete revised book and lyrics for the production, colour production photographs, and an introduction by Sondheim's biographer David Benedict.
This is the script of the original musical from which the film was adapted, not the film's screenplay.
D.D. Ryan was the costume designer for Company; John Ryan was a would-be producer who actually became a stockbroker. And they used to have sort of musical evenings at their house. I met Arlen once or twice up there. And, lo and behold, ...
(31) The song is interrupted midway by the first significant appearance of the younger visions of Ben, Phyllis, Buddy, and Sally, and with great subtlety Sondheim's lyrics and Goldman's libretto expand the blurring of past memories and ...
1955), a nondescript twenty-one-year-old obsessed with actress Jodie Foster; Charles Guiteau (1841–1882), a deluded political aspirant convinced he deserved to be named ambassador to France; Giuseppe Zangara (1900–1933), ...